In His Own Words

Alexander Neef, General Director


5/1/2011

Quite a Weekend

One of the biggest dangers in our business is that singers can get sick and aren't able to perform. This is what happened to Adrianne Pieczonka, our Ariadne. Half way through the dress rehearsal on Wednesday she had to cancel and the virus she caught was so persistent that yesterday at 8:30am she called in sick for the opening of Ariadne auf Naxos as well. It is particularly disappointing for a singer not to be able to sing the opening night of a production and I hope Adrianne will be in great form for the second performance on Tuesday.

For financial reasons we don't have a cover system with understudies for every single role, some of them are taken care of by the members of the Ensemble Studio, if appropriate, and we always try to make sure that we cover the most important or difficult cast. As an understudy for Ariadne we are fortunate enough to have Amber Wagner from the Ryan Opera Center at Chicago Lyric Opera. She mastered taking over the dress and performing Ariadne for yesterday's opening night with admirable confidence. What a great voice. Thank you, Amber.

This isn't exactly a calm weekend. After yesterday's opening I started today at the residence of Sabine Sparwasser, the German Consul General, then went to the Four Seasons Centre to do my intermission duty at the third performance of La Cenerentola. Now, I'm at home and will soon leave for dinner with Lotfi Mansouri, my pre-pre-predecessor as General Director of the COC. Lotfi will be with us for a week to pass on his wealth of knowledge to our young artists of the Ensemble Studio.

Posted by Alexander Neef / in Season / comments (6) / permalink

Leonard Rosmarin (5/2/2011 10:56:18 AM)
Having attended the dress rehearsal of "Ariadne auf Naxos," I can confirm what you said about Amber Wagner. She was a superb replacement and her voice was sumptuous.I'm so glad she was able to come to the rescue on opening night.
MichaelR (5/2/2011 2:22:40 PM)
Amber Wagner should get endless and glowing praise for her performance on opening night. I was very sad to hear of Ms. Pieczonka's indisposal and much more than pleasantly surprised at the brilliant performance given by Ms. Wagner. Her voice is powerful and even throughout all registers- she gave a highly nuanced performance. I believe one day all of us who witnessed this performance will be able to say we saw this artist at the beginning of what I think will be a long career. Let's hope she is re-engaged in future seasons, as she would be an asset as a glorious Strauss or Wagner soprano.
Ed Zentai (5/2/2011 6:56:41 PM)
Dear Mr. Neef I attended the opening performance of Ariadne Auf Naxos on Saturday afternoon. Let me tell you I was a bit disappointed when I find out Adrianne was ill, but the production was top notch. It is one of those wonderful staging of the opera, when everything comes together on the highest possible level. I will give 5 stars out of 5 for the Saturday opening. Bravo COC!! I saw the film “The Audition” from the MET and I know Amber Wagner will be perfect for the roll. Thanks Amber to save the production. WOW!!! What a cast. Glad to hear Lotfi Mansuori will be back in Toronto. He directed that wonderful Wozzeck in 2005 with Michael Levine timeless sets. This is maybe the time to invite him back as a director in the new house; he also worked very hard for the opera house.
alan (5/4/2011 6:05:27 PM)
Love the Strauss with a passion. I have no complaints at all . International cast and great conducting will do if for you most of the time. I will be going back at least three more times.
Chris Wernham (5/13/2011 4:20:23 PM)
We had the pleasure of hearing Amber Wagner in Chicago's Lohengrin in March. I missed her in Ariadne but she is no ordinary replacement: she is a star of the very near future. Get her back!!!
V.T. Slajer, Montreal (5/22/2011 8:52:14 PM)
After the orfeo, I decided to give a try to Ariadne on Saturday, May 21. Another great evening. I explores the COC website, did additinal reading elsewhere and also talked to some regular patrons whom I happen to bump into now all the time, either at COC or RTH. COC and FSC appear to be very well managed entities and I wish our L'Opera de Montreal followed their example. Why do I need to travel to Toronto to have a great evening at the opera?