In His Own Words

Alexander Neef, General Director


9/1/2012

Buenos Aires II

Let's just continue where I left you two days ago: It goes without saying that I would never miss a chance to see Riccardo Muti conduct. Muti's home town is Naples and for a few years now he has been working on the resurrection of Neapolitan operas of the 17th and 18th centuries with his Orchestra Giovanile Luigi Cherubini. The production of Saverio Mercadante's I due figaro that I saw at the Teatro Colon on Thursday had originated at the Salzburg Whitsun Festival last and had also been presented at the Ravenna Festival and at the Teatro Real in Madrid. It is a charming comedy, a sequel to Mozavrt's Nozze di Figaro. Count and Countness Almaviva have a daughter now who is in love with grown-up Cherubino. Susanna and Figaro play the matchmakers, there is a lot of confusion, an angry Count (what else) and a happy ending, all highly entertaining, beautiful music, extremely difficult to sing and splendidly performed by Muti, his orchestra and a fantastic cast of young, mostly Italian singers, none of them older than 30. I had such a good time that I will go again tonight.

My old friend and Salzburg mentor Evamaria Wieser is here as well. Of course, Evamaria taught me everything about being an artistic administrator and we are a wonderful team in audition, so yesterday we took a taxi to La Plata, about 50km from Buenos Aires, to spend the day with a group of young Argentinian singers at the Teatro Argentino, arguably the most interesting opera company in Argentina. The theatre had selected a very good group of young artists, we heard a few exceptional voices, engaged in interesting discussions and were treated with the utmost hospitality. On my next trip to Argentina I will definitely go to La Plata again.

We spent so much time in La Plata that I barely made it back to yet another evening at the Teatro Colon for a concert of the Buenos Aires Philharmonic Orchestra. What a privilege to spend three evenings in a row at this wonderful venue for a recital, an opera and a concert of Mahler's 7th Symphony. The acoustics worked splendidly for each of them.

Finally, I got to see a bit of the city today. The spring is just arriving and it was almost as warm as home in Toronto. Just the sun keeps confusing me, going from east to north (!) to west during the day in this part of the world. When you think about it, it's logical, of course, but I keep walking in the wrong directions.

Posted by Alexander Neef / in Travel / comments (3) / permalink

Leonard Rosmarin (9/10/2012 1:58:57 PM)
Thank you, Alexander, for yet another entertaining and informative posting. It seems to me that you spend almost as much time up in the air as you do on the ground. I would find it extremely difficult to cope with all the time and climate changes. How do you manage it?
Frances Henry (10/26/2012 9:20:53 AM)
I happened to read an earlier comment here about the Trovatore production and just thought I would second that writer's opinions. I too found it a vocally thrilling production - really one of the best sung opera productions I've heard at the COC in a long time. I also agree that lovely as Russell Braun's tone is, Count de Luna does not really suit him. Howver, my real problem is with this incredibility boring and visually uninteresting production. I am sure this was bought or rented in order to save money, perhaps to spend most resources on excellent casting, but what a shame. An innovative, but modest production featuring dramatic direction to the singers would have made a real "wow" evening!
Thora (11/16/2012 5:09:28 AM)
Hi. remeber me? great career!