In His Own Words

Alexander Neef, General Director


4/20/2009

Opening Night at Simon Boccanegra

It was wonderful to hear the roar of the crowd at the end of the opening performance of Simon Boccanegra, and to be backstage afterwards to share in everyone's happiness. This is the effect that Verdi can have.

When opera was evolving in late 16th-century Italy, it was originally intended to recreate Greek tragedy. At the time the belief was that Greek tragedy had been sung, like a sort of recitative. You can see this reflected in early operas, which were like composed recitatives, with the other elements, that reflect more the opera we know now, added as the artform evolved.

What the Greeks intended to do with the tragedies was to provide an emotional process for the audience, a sort of purification, or catharsis. Today, as in ancient times, the community assembles in the theatre for the same reason. By experiencing art the audience is questioned, and questions themselves and they leave the theatre somehow emotionally changed, and with that catharsis the circle closes. The emotional release is there and we certainly heard it on opening night.

Simon Boccanegra is not just a story about a 15th-century pirate; it's about reconciliation between two groups of people but also between individuals. You can certainly find cities where this is still true today: the endless quest for leadership that can unite a community.

Posted by Alexander Neef / in Productions / comments (0) / permalink