In His Own Words

Alexander Neef, General Director


4/25/2010

A True Sense of Occasion

There was a true sense of occasion yesterday evening at the Four Seasons Centre for the opening night of our Flying Dutchman. For the first time, «mon Johannes» (as I call him when I speak with my wife) stepped in the pit to conduct a performance as the COC's Music Director. From the company box on the Grand Ring I have an excellent view of the pit and it was wonderful to observe our musicians' commitment and response to their new leader's generous music-making during the performance.

The whole evening was a resounding success. Christopher Alden's production is powerful and extremely well thought-through and it was made even stronger through our completely committed cast, led by Evgeny Nikitin (you have to hear his soft singing to believe how beautiful a heldenbaritone can sound) and Julie Makerov (singing her first Senta and dealing with the murderous difficulties as if she had been singing the part all her life).

This morning at 10 a.m. our brave musicians were back in the rehearsal room for the first orchestra rehearsal of Idomeneo. After the opening is before the opening.

Posted by Alexander Neef / in Performances / comments (6) / permalink

alan (4/26/2010 11:09:41 PM)
I rushed out and bought all 4 papers today. all agreed the singers, orchestrand anc chorus were superb but the staging was greatly lacking. What has happened to out wonderful Dutchman? Where are the spinning wheels gone , what is with flappers, why tinker so much with this classic. Surely you must have some say as to what goes on. I am not against anything new, but this has turned me off even wanting to go . This is the first time all 4 papers didnt like it. That says a lot to me.
tim (4/27/2010 2:14:52 PM)
I attended the opening night performance and must admit that the reviews are dead on. The staging reminded me of a silly zombie movie. I recommend that people wait for the CBC broadcast. It would have been much better if I listened to the beautiful singing without having to witness the silliness happening on stage.
Ed (4/27/2010 7:13:29 PM)
Alan. I saw this production twice and hardly can wait to see it again. This is one of the great signature pieces of the COC and you will be sorry if you miss it just because some critics didn’t liked the staging. Fantastic musical experience because the music never stop for a second (no intermission). This is the only way to stage the Dutchman. Feel sorry you will miss something the COC can be proud of.
operatoronto (4/28/2010 9:12:04 AM)
The spinning wheels, ships, etc are all ephemeral to the story of the Dutchman. These are mere decorum embelishments. The story of the Flying Dutchman is about something else. For a different view about this Dutchman you may want to go to http://operatoronto.wordpress.com
Don from Buffalo (5/3/2010 7:32:02 PM)
I experienced the Flying Dutchman at yesterday's matinee and have to exclaim "bravi" to the COC for the performance. I was overwhelmed. Alexander was right-on with his comments about Evgeny Nikitin. I was hooked the minute he started to sing, the closest I can remember to the style of James Morris who I have always admired in his Wagnerian roles. It was a fine afternoon of music and theater.
Ed (5/10/2010 7:45:39 PM)
Saturday afternoon I saw The Flying Dutchman the 3rd. Time. It was the most exiting production from the 3 staging by the COC. What a brilliant cast! The orchestra and chorus are one of the world’s best. And our new music director Johannes Debus conducted the orchestra superbly. Bravi! COC, I’m glad we have a company to be able to produce operas on this level. Looking forward to Mozart’s Idomeneo and the 2010 – 2011 seasons.