In His Own Words

Alexander Neef, General Director


5/9/2010

Catching Up on Sunday Evening

This afternoon we had the opening performance of Idomeneo. I don't think I have to reiterate how much I love this piece and I will leave reviewing our production to the critics. Just let me say how pleased I am that everything has worked out so well. This is the third production of Idomeneo I have done in my career and I have seen a few more. François de Carpentries' production serves the piece well and we have a cast, chorus, orchestra and conductor that would do any other company in the world proud. Listening to our Idamante, Krisztina Szabó, when she sings "Chio mi scordi di te. . . . Non temer amato bene" with its wonderful solo part for violin, beautifully performed by our concert master Marie Berard, or Paul Groves with Idomeneo's bravura aria "Fuor del mar," or Isabel Bayrakdarian as the Trojan princess Ilia, or Michael Colvin with Arbace's heartbreaking aria in Act III, or to Tamara Wilson as Elettra, making this horribly difficult part sound so gloriously easy, or—my favourite piece in the opera—the wonderful quartet in Act III this afternoon just reminded me that there is nothing more profoundly human, insightful and breathtakingly beautiful than Mozart's music. First, there is Mozart. Then there's a huge gap. And then come all the others. At least, that's how it is for me.

All of our spring operas are now up and running and the audience reaction after every single performance has been enthusiastic. I am glad that our ever-curious public embraces a rarely performed bel canto piece like Maria Stuarda as much as the second return of our Flying Dutchman although I am a bit amazed that this production still causes as much controversy as when it was first performed by the COC 15 years ago. It was wonderful to have part of this discussion happening here on the blog. I would like to thank all contributors and encourage you to keep the discussion going!

To come back to bel canto for a moment: yes, we will perform more Donizetti. Two operas are planned within the next four years, a well-known and an unknown one. This should be enough scooping for today. Good night.

Posted by Alexander Neef / in Season / comments (5) / permalink

Mahlersfifth (5/10/2010 2:47:01 PM)
I was there on Sunday afternoon and felt this was the weakest opera this season. Oh, the voices were glorious but the staging, direction and costumes left me quite bored and disappointed. I am a subscriber and have been for nearly 30 years now and as much as I love the Puccinis and Verdis, and I do!, I long see something modern, daring, eye poppoing and risky.
alan (5/10/2010 9:01:02 PM)
Loved every word of this latest blog. I am a great admirer of Mozart, have been for over 50 years. Without him and Bach, what would life be. I was close to tears at all the moments you loved, the quartet,. the sound of it in this wonderful house, better then even on cd where they can manipulate the sound. thank you for loving Mozart as well, you have soul.
Ed (5/12/2010 7:16:52 PM)
Congratulation!! The musical triumph of Idomeneo, King of Crete at the first performance of its new Canadian Opera Company production at the Four Seasons Centre on Sunday also marks a triumph for the relatively new regime at the 60-year-old institution. As has been the case all season, the musical standards matched those of any of the finest houses in the world. Even better, this production, as have all the others, includes local singers, openly and happily acknowledging the quality and breadth of talent that calls this city home. (Toronto Star) Thank you, Alexander and Johannes, thank you COC!
Danielle (5/16/2010 8:35:43 AM)
I am not sure if this is the proper forum to post comments about recent operas but here it is. Although the singing in The Flying Dutchman and Idomeneo was glorious, the staging was ridiculously boring and silly. Can you give us a heads up on whether we are to expect similar stagings next season? I am a subscriber for the past three years but did not renew my subscription for the 2010-11 season. I remain a Friend of the COC but plan to wait until each opera production is reviewed so I can avoid productions that distract from the music. This saddens me because I realize the importance of subscriptions but cannot tolerate some of the recent COC productions. Perhaps others prefer such productions and I can "shop around" for better staging. Any insight into what to expect next season is appreciated. Thanks.
DavidS (6/4/2010 12:21:11 AM)
I was most surprised by a comment that Idomeneo "was the weakest opera this season". I attended the performance on May 27 and felt that, of many fine COC performances this season, this was overall the finest due to the uniform excellence of the vocal performances (Krisztina Szabo being particularly impressive though all of the principals were superb) and the fine performance of the orchestra under Harry Bicket. This was as fine a performance as in any of the world's leading opera houses. As Alexander mentioned, Krisztina's rendition of "Non temer amato bene" with Marie Berard's wonderful violin accompaniment was a highlight of the season. Of course, we all have our own views about the merits of different stagings, costumes etc.. Like everyone else, I don't find all productions equally to my taste, but I prefer a variety of directors' concepts and interpretations to consistent "traditional" stagings - though in the case of Idomeneo I found the staging to be very interesting. Looking forward very much to 20010/11!