COC Media Releases

7/23/2012

COC GENERAL DIRECTOR ALEXANDER NEEF RENEWS CONTRACT THROUGH TO 2020/2021

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Toronto –Canadian Opera Company General Director Alexander Neef has signed a new contract with the COC that extends his tenure as General Director through the 2020/2021 season. 

 

“The relentless improvement in the artistry we are witnessing on the stage of the Four Seasons Centre for the Performing Arts is the best evidence of Alexander Neef’s unique ability to fit the right artists to the works that can best show their talents,” says Philip C. Deck, President of the Canadian Opera Company Board of Directors.  “He has harnessed all the assets that the COC has built over time – our fantastic opera house, our terrific orchestra, our fabulous chorus, great production teams and an audience that supports our innovations – and woven them into a package that attracts the finest artists in the world.  Our Canadian opera community demands the best and they have enthusiastically embraced the artistic vision that Alexander’s leadership has created.”

 

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7/17/2012

COC's SECOND ANNUAL ENSEMBLE STUDIO COMPETITION TO TAKE PLACE NOVEMBER 29, 2012

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Toronto – The Canadian Opera Company hosts its second annual Ensemble Studio Competition on November 29, 2012 in the intimate Richard Bradshaw Amphitheatre at the Four Seasons Centre for the Performing Arts.  The Ensemble Studio Competition is the final round of national auditions for the COC Ensemble Studio, Canada’s premier training program for young opera professionals. On November 29, Canada’s finest young opera singers will compete in front of a public audience for four cash prizes and the offer of a coveted position in the 2013/2014 Ensemble Studio.

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6/26/2012

COC CLOSES 2011/2012 SEASON WITH 91% ATTENDANCE

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Toronto – The Canadian Opera Company has closed another successful opera season with 2011/2012 recording an average attendance of 91%.  A total of 125,238 patrons attended the 67 performances of the company’s seven mainstage productions in the Four Seasons Centre for the Performing Arts: Gluck’s Iphigenia in Tauris, Verdi’s Rigoletto, Puccini’s Tosca, Saariaho’s Love from Afar, Offenbach’s The Tales of Hoffmann, the double bill of Zemlinsky’s A Florentine Tragedy and Puccini’s Gianni Schicchi, and Handel’s Semele.

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