Posted by Danielle D'Ornellas / in 2014/2015 / comments (0) / permalink
By Gianmarco Segato, Adult Programs Manager
Of Verdi’s middle-period operas, A Masked Ball (1859) is one of the few not to undergo extensive revisions following its initial run of performances. In contrast, Simon Boccanegra (1857/1881), La forza del destino (The Force of Destiny, 1862/1869) and Don Carlos (1867/1884) were significantly reworked after they premiered, and today are most often presented in their later versions, which means that different stages of Verdi’s artistic development co-exist side by side in those works, sometimes juxtaposed all too obviously.
A Masked Ball, on the other hand, was composed relatively quickly. And for all of its variety of musical styles, it is an opera that moves forward in a user-friendly, easy-to-follow single span (compare that with the confusing, sudden chronological leaps one finds in Simon Boccanegra).
Posted by Danielle D'Ornellas / in A Masked Ball / comments (0) / permalink
In 2014, we resolve to offer you some of the best musical experiences in the city! We're making good on that New Year's resolution this month with iconic jazz artists and promising rising stars, a plethora of classical recitals, and an intense dance performance you won't want to miss!
Posted by Kristin McKinnon / in Free Concert Series / comments (0) / permalink
Sara Fulgoni in the COC production of Bluebeard's Castle. Photo: Michael Cooper © 2001