The Canadian Opera Company Orchestra Academy welcomes five student musicians to its annual three-week intensive training program.
Led by COC Music Director Johannes Debus, and developed in collaboration with The Glenn Gould School at the Royal Conservatory of Music and the University of Toronto’s Faculty of Music, the COC Orchestra Academy offers its student musicians professional insight and experience in their pursuit of a career in an opera orchestra.
The five student players who join the Academy this year were selected from a pool of 12 musicians who auditioned in October 2015 for Debus, COC Orchestra Academy Director Nina Draganic and members of the COC Orchestra: GGS cellist Drew Comstock, GGS violinist Hua-Chu Huang, GGS violinist Yada Lee, GGS bassist Doug Ohashi and UofT violist Meagan Turner.
As part of the Academy experience, students are featured in multiple public performances. This year those appearances include playing with the COC Orchestra at the company’s 2016/2017 season launch event on January 13 and a recital in the COC’s Free Concert Series in the Richard Bradshaw Amphitheatre on January 21, performing Fauré’s La bonne chanson with COC Ensemble Studio tenor Jean-Philippe Fortier-Lazure and Mendelssohn’s Octet with their COC Orchestra mentors. Academy students also join the COC Orchestra in the pit of the Four Seasons Centre for the Performing Arts on January 23 for opening night of the COC’s winter production of Wagner’s Siegfried, playing one of the most complex and stirring scores in the operatic canon.
New to the 2016 Orchestra Academy program are additional public performances with the COC Orchestra and opera singers from the COC, and masterclasses and private sessions with opera singers, production personnel and visiting music staff.
“It’s wonderful to see how we’ve grown the COC Orchestra Academy since it began in 2014. Every year we build it up just a little more, moving from strength to strength,” says COC Music Director Johannes Debus. “This year we’ve added the season launch event to the program and we’ve been fortunate enough to have interest from great artists like Christine Goerke and Russell Braun on how they can get involved with the Orchestra Academy. These experiences, at such an early point in these musicians’ careers, are the opportunities of a lifetime.”
Watch Johannes talk about the Orchestra Academy in the video below!
The COC Orchestra Academy is an extra-curricular program that launched in January 2014 as a pilot program with the intention of growing the initiative to include more students and members of the COC Orchestra. There is no official credit attached to the students’ participation. Members of the COC Orchestra participate in the COC Orchestra Academy voluntarily.
2016 COC Orchestra Academy Members
Cellist Drew Comstock began cello lessons at the age of four. He completed his undergraduate studies at the New England Conservatory of Music, where he studied with Yeesun Kim, and recently finished his Master of Music at McGill University where he worked with Brian Manker. He has performed in masterclasses for Ralph Kirshbaum, Phillipe Muller, Laurence Lesser, and Raphael Pidoux. As a chamber musician, he has worked with members of the Takács, Alban Berg, and Miró string quartets. He has also performed with Boston’s critically acclaimed Discovery Ensemble, the North Carolina Symphony, and the McGill Chamber Orchestra. Comstock is currently pursuing an artist diploma at The Glenn Gould School under Desmond Hoebig and Andrés Díaz.
Violinist Hua-Chu Huang was born in Taiwan and moved to Canada in 2007. Since starting the violin at age nine, he has won numerous prizes from national competitions in Taiwan, the Nova Scotia Youth Orchestra Concerto competition, and recently placed silver in the 2015 Canadian Music Competition. Huang has performed as a featured soloist in the Dalhousie Concerto Night as well as with the Chebucto Symphony Orchestra and Symphony Nova Scotia. He studied with Philippe Djokic at Dalhousie University, where he received his bachelor’s degree in violin performance. Huang is currently pursuing an artist diploma under Paul Kantor and Barry Shiffman at The Glenn Gould School.
Violinist Yada Lee has won numerous competitions and awards. She has performed concerti with Mannes Orchestra at Alice Tully Hall, New York, as well as with orchestras in Thailand and around the world. She has been a member of Verbier Festival Orchestra and Bangkok Symphony Orchestra and has served as concertmaster and principal for both Oberlin and Mannes orchestras. Lee holds a master’s degree from Mannes School of Music and a bachelor’s degree in violin performance from the Oberlin Conservatory of Music. She is currently at The Glenn Gould School, studying with Paul Kantor, Barry Shiffman, Laurie Smukler and David Bowlin.
Bassist Doug Ohashi is currently completing the final year of his artist diploma at The Glenn Gould School, studying with Jeffrey Beecher, principal bassist of the Toronto Symphony Orchestra. Ohashi aspires to perform in a professional orchestra and has participated in several training programs to serve that goal, including the National Youth Orchestra of Canada and Orford Academy. He is a recipient of the James Craig Opera Orchestra Award.
Praised for her imagination and musical instinct, Toronto-based violist Meagan Turner recently completed her undergraduate studies as a scholarship student at the University of Toronto. Turner has held principal positions with numerous orchestras and performed in masterclasses for renowned artists including Henning Kraggerud, Atar Arad, and the Brentano and Belcea quartets. In addition to her studies at U of T, Turner has studied chamber music with the St. Lawrence, Cecilia, and New Orford quartets and will continue her orchestral training at the New York String Orchestra Seminar this December. Turner is currently pursuing an advanced certificate in performance at UofT, in the studio of Eric Nowlin.
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It's clear that Violetta and Alfredo are very much in love in our current production of La Traviata, but did you know that for singers Ekaterina Siurina and Charles Castronovo this love extends beyond the stage? We caught up with the married duo to find out more about the pair behind the performance. Check out our Q&A with them below, and don't miss seeing La Traviata before it's gone on November 6, 2015!
A documentary film maker
An architect, historian, and/or poet
Either very dark chocolate or Old Amsterdam gouda
Coming back a couple times because I forgot something
He is very generous, sweet-hearted and a super handsome man!
Roméo et Juliette's duet (Gounod)
Water. And excellent wine
Spend it with the kids
Being Russian which includes, but not limited to: sarcasm, negativity, worrying, complaining and passion! ;-) Haha!
Baby supplies and my opera score
Opera scores, Nutcracker piano for kids, postcards and an empty cup of tea from previous coaching
All jazz standards
Joan Sutherland and Richard Bonynge
Pitt and Jolie
Words are silver, silence is gold (my grandma always said this, I wish I could follow it better!)
Sleep, eat, warm up, hot tea, stay quiet, and then sing!
Supportive and understanding
The Czarina Katerina :-)
Fly home to LA, unpack and repack for concerts in Russia. Then getting ready for big trip to Australia with the whole family! Very excited!
Staying on my own small island with my family for two weeks!
To learn more about La Traviata and to buy tickets, click here.
Charles Castronovo as Alfredo and Ekaterina Siurina as Violetta in the COC’s production of La Traviata, 2015. Photo: Michael Cooper.
Posted by Kiersten Hay / in La Traviata / comments (0) / permalink
Out of a pool of 120 aspiring opera singers from across the country, eight were selected to compete at Centre Stage: Ensemble Studio Competition on November 3, 2015, our annual celebration of the next generation of opera stars selected from nationwide auditions for the COC Ensemble Studio—Canada’s premier training program for young opera professionals. The competition features the young singers vying for cash prizes ranging in value from $1,500 to $5,000. We interviewed our eight young finalists to learn more—check out all of the interviews, linked by name as they become available, here (or here if on a mobile device).
Montreal-born baritone Bruno Roy is currently studying for his master of music performance at McGill University, where he also received his bachelor’s degree. His recent operatic credits include Count Almaviva in The Marriage of Figaro (Opera McGill); Matt in Crush (Banff Centre); L’Horloge/Le Chat in L’enfant et les sortilèges (Opera on the Avalon); Papageno in The Magic Flute (Blooming Voce Summer Opera Workshop); Masetto in Don Giovanni (FAVA Opera); and Raoul de Gardefeu in La Vie Parisienne (Opera Without Fences). In 2016, he appears as John Brooke in Little Women and Belcore in L’elisir d’amore at Opera McGill.
From a very young age, I was involved in choirs and other vocal ensembles. My mother always had a subscription to the opera and I would often accompany her during these formative years. It created in me a deep appreciation for this repertoire and it is why I decided to make it my course of study.
It is an art form that I find fascinating; it melds drama, literature and music all into one and by juxtaposing it with the power of the human voice, provides us with a unique sensory experience. It has the capacity to make us laugh, cry and reflect, and the composers, stage directors and musicians wanting to share these emotions are what keep this art form going.
I am a big foodie. When it comes to coffee, wine and good food, I always go for the best that a city has to offer. You will also find me behind the counter, whipping up a nice meal for some friends.
Lastly, I must admit that I am often a victim of vanity; I love shopping for nice shoes and I’m always on the lookout for a new hair pomade.
The title role in Debussy’s Pelléas et Mélisande is one that I hold near and dear to my heart. It is a beautiful work in which the characters intentions and emotions are expressed with a unique colour palette where the orchestra expertly supports the prose-like vocal line and where suggestion is just as powerful as action. A highly symbolic opera, it is one that produces in me a new reflection on every listen.
Follow Bruno on Twitter at @brunobeloinroy
For more information and to purchase tickets, visit COCCentreStage.ca, call COC Ticket Services at 416-363-8231 or visit the Four Seasons Centre Box Office (145 Queen St. W.).
To buy competition tickets, click here.
To buy Under 30 competition tickets sponsored by TD, click here.
For more information about the the Centre Stage Dinner event and how to purchase tickets, please contact the PC Office at 416-363-5801
Photo Credit: Stephane Poirier
Posted by Kiersten Hay / in Centre Stage / comments (0) / permalink
Sara Fulgoni in the COC production of Bluebeard's Castle. Photo: Michael Cooper © 2001