Parlando: The COC Blog

10/29/2015

Centre Stage 2015: Zachary Read



Out of a pool of 120 aspiring opera singers from across the country, eight were selected to compete at Centre Stage: Ensemble Studio Competition on November 3, 2015, our annual celebration of the next generation of opera stars selected from nationwide auditions for the COC Ensemble Studio—Canada’s premier training program for young opera professionals. The competition features the young singers vying for cash prizes ranging in value from $1,500 to $5,000. We interviewed our eight young finalists to learn more—check out all of the interviews, linked by name as they become available, here (or here if on a mobile device). 


Halifax native and baritone Zachary Read is currently a member of Vancouver Opera’s Yulanda M. Faris Young Artist Program, and he studied opera at the University of Toronto (UofT) and Western University. His credits include Marullo in Rigoletto, Jonas Fogg in Sweeney Todd, Le Podestat in Le Docteur Miracle, Ivan in Die Fledermaus, and Morales in Carmen (Vancouver Opera); Sid in Albert Herring and Malatesta in Don Pasquale (UofT Opera); and Guglielmo in Così fan tutte (Accademia Europea dell’Opera). Mr. Read was a Metropolitan Opera National Council Auditions regional finalist and won the District People’s Choice Award. He was also a semi-finalist in the 2015 Lotte Lenya Competition. Upcoming roles include Prince Yamadori and Imperial Commissioner in Vancouver Opera’s Madama Butterfly

Three Things about Zachary Read 

Why opera? How did you come to be an opera singer and what do you find so compelling about the art form?

I grew up playing and singing Scottish, Irish, and folk music. I had not been exposed much to opera before going to university, but knew that I wanted to improve my singing and songwriting. I decided to pursue a vocal performance degree at the University of Western Ontario, where I learned a lot about the operatic repertoire and was very intrigued by how a human voice could make such a glorious sound. Once I learned more about the French, German, and Italian languages, I was able to appreciate the poetry and storytelling that inspires these great works. 

There are many reasons why I think this art form is so intriguing: how composers marry text to music and the way both of those elements influence one another, the sound and colours possible in the voice and orchestra, and the immediacy of creating live theatre in front of an audience, to name a few.

What are your hobbies, interests, other projects, outside of opera?

Another passion I have in my life is playing the Scottish Highland Bagpipes. I am currently a member of the Simon Fraser University Pipe Band (six-time world champions) and will be traveling with the band to compete at the World Pipe Band Championships in Glasgow this summer. 

I also love entertaining and cooking for friends and family, single-malt whisky, and University of Michigan football.

Do you have a dream role?  What is it?

There are so many roles I would love to perform. It would be hard to pick one. The Verdi baritone roles are ones I would dearly love to grow into someday, but for the nearer future, I would say my top “dream” roles would be Valentin in Gounod’s Faust, Figaro in Rossini’s The Barber of Seville, and Marcello in Puccini’s La Bohème.

 

Follow Zachary on Twitter at @ZakRead


For more information and to purchase tickets, visit COCCentreStage.ca, call COC Ticket Services at 416-363-8231 or visit the Four Seasons Centre Box Office (145 Queen St. W.).

To buy competition tickets, click here.
To buy Under 30 competition tickets sponsored by TD, click here.
For more information about the the Centre Stage Dinner event and how to purchase tickets, please contact the PC Office at 416-363-5801

Posted by Kiersten Hay / in Centre Stage / comments (0) / permalink

10/28/2015

Centre Stage 2015: Marjorie Maltais



Out of a pool of 120 aspiring opera singers from across the country, eight were selected to compete at Centre Stage: Ensemble Studio Competition on November 3, 2015, our annual celebration of the next generation of opera stars selected from nationwide auditions for the COC Ensemble Studio—Canada’s premier training program for young opera professionals. The competition features the young singers vying for cash prizes ranging in value from $1,500 to $5,000. We interviewed our eight young finalists to learn more—check out all of the interviews, linked by name as they become available, here (or here if on a mobile device). 


Clermont, Quebec-born mezzo-soprano Marjorie Maltais recently completed her master of music performance and literature at Western University, where she also earned a bachelor of music in voice performance. Her operatic credits include Rosina in The Barber of Seville (Montefeltro Festival); Dorabella in Così fan tutte, Angelina in La Cenerentola, and Concepcion in L’heure espagnole (Western University Opera); the title role in Carmen (Windsor Symphony Orchestra); and Hermia in A Midsummer Night’s Dream (Opera on the Avalon). She also recently performed at Music Academy of the West. Upcoming performances include concert appearances with the Guelph and Windsor symphony orchestras, Boise Philharmonic and Sweetwater Music Festival. 

Three Things about Marjorie Maltais

Why opera? How did you come to be an opera singer and what do you find so compelling about the art form?

I started singing in a choir at age 12 and this is where I discovered my voice. Opera was not a passion at first, but I learned to love it. At a young age, I remember finding the actual mechanics of singing fascinating. I wanted to be able to project my voice like an opera singer. Then I fell in love with the music, the stories, the costumes, the sets. Opera is all of my passions combined into one art form. 

 

What are your hobbies, interests, other projects, outside of opera?

I love visual arts, comedies, documentaries, hiking, and good meals in good company!  

 

Do you have a dream role?  What is it?

My dream role is the feisty Isabella from Rossini’s L’Italiana in Algeri who must rescue her love. I can’t get enough of Rossini!

 

Follow Marjorie on Twitter at @MezzoMarjo


For more information and to purchase tickets, visit COCCentreStage.ca, call COC Ticket Services at 416-363-8231 or visit the Four Seasons Centre Box Office (145 Queen St. W.).

To buy competition tickets, click here.
To buy Under 30 competition tickets sponsored by TD, click here.
For more information about the the Centre Stage Dinner event and how to purchase tickets, please contact the PC Office at 416-363-5801

Posted by Kiersten Hay / in Centre Stage / comments (0) / permalink

10/27/2015

Centre Stage 2015: Lauren Eberwein



Out of a pool of 120 aspiring opera singers from across the country, eight were selected to compete at Centre Stage: Ensemble Studio Competition on November 3, 2015, our annual celebration of the next generation of opera stars selected from nationwide auditions for the COC Ensemble Studio—Canada’s premier training program for young opera professionals. The competition features the young singers vying for cash prizes ranging in value from $1,500 to $5,000. We interviewed our eight young finalists to learn more—check out all of the interviews, linked by name as they become available, here (or here if on a mobile device). 


Qualicum Beach, BC native, mezzo-soprano  Lauren Eberwein studies at the Curtis Institute of Music and is a member of Opera Philadelphia’s Emerging Artist Program. Her credits include Baba the Turk in The Rake’s Progress, The Composer in Ariadne auf Naxos, Zita in Gianni Schicchi, Tisbe in La Cenerentola, Mère Marie in Dialogues des Carmélites, Second Lady in The Magic Flute, and Dido in Dido and Aeneas (Curtis Opera Theater), as well as Sorrel and Dodo in Double Exposure with Opera Philadelphia. She was a featured soloist with the Curtis Baroque Ensemble, and the Curtis and Maryland symphony orchestras. She also began her residency at The Marlboro Music Festival this summer. This season, she appears at Opera Philadelphia as Olivia in Cold Mountain and Clairon in Cappriccio, and makes her Carnegie Hall debut singing Handel's Israel in Egypt with the New York Choral Society. 

Three Things about Lauren Eberwein

In what city/town/country were you born? Where were you raised?

I was born in London, Ontario, then swiftly moved to Calgary and was primarily raised there. However, my family moved a lot, so my geographic identity feels rather fluid. My poignant late adolescence and teen years were mostly spent near Qualicum Beach on Vancouver Island, so I feel intensely connected to that part of the country. 

Why opera? How did you come to be an opera singer and what do you find so compelling about the art form?

My operatic saga of sorts began later than most. I didn't pursue intensive vocal studies until my late teens. When I was a child, my mum actively supported and nurtured my artistic inclinations, but my most concentrated childhood passion was actually playing hockey. I certainly fit the Canadian stereotype in that sense. So my musical beginnings had to compete with hockey practice and tournaments. 

However, during junior high, my mum lost her lengthy battle with cancer and it forever changed the way I view passion and life. I later realized I had a talent, and felt my mum's support and inspiration beyond the grave. That shift and the support of my father pushed me to strive to make professional singing a reality, and it's been a dance from one inspiration to the next. I feel immensely privileged to have opportunities and support to pursue a career in the arts. My only regret is that my mum never got the chance to hear me sing opera. 

What are your hobbies, interests, other projects, outside of opera? 

I have many hobbies and interests beyond opera, from yoga to the occasional YouTube binge, but mostly spend my free time chasing my imagination. Through prose, poetry, philosophy, and most recently to astronomy: my new hobby. I'm sure it’s just the beginning of a lifelong attempt to understand the universe and explore the cosmos. On my weekends off I try to go for day hikes through a local state park with my travel telescope. I'm also going through an intense late Beethoven phase, and find myself unable to stop listening to his late piano sonatas and quartets. 

Learn more about Lauren at laureneberwein.com and follow her on Twitter at @LaurenEberwein


For more information and to purchase tickets, visit COCCentreStage.ca, call COC Ticket Services at 416-363-8231 or visit the Four Seasons Centre Box Office (145 Queen St. W.).

To buy competition tickets, click here.
To buy Under 30 competition tickets sponsored by TD, click here.
For more information about the the Centre Stage Dinner event and how to purchase tickets, please contact the PC Office at 416-363-5801

Photo Credit: Paul Sirochman

Posted by Kiersten Hay / in Centre Stage / comments (0) / permalink

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Sara Fulgoni in the COC production of Bluebeard's Castle. Photo: Michael Cooper © 2001

 

 

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