March Break is almost here! With the kids off from school for a week, it can be hard to find activities for the whole family to enjoy (while still maintaining a budget). Have no fear, the Canadian Opera Company is here to provide you with some fun, family-friendly options to help make this March Break a breathtaking one (without breaking the bank).
Youth Opera Labs (YOL) are FREE events for teens and young adults ages 16 to 24, and no previous experience with opera is necessary! This YOL looks specifically at vocal health and diction, and features a vocal health Q&A with Ear, Nose, and Throat (ENT) specialist Dr. Jennifer Anderson, an Italian diction workshop with Italian diction coach Francesco Pellegrino, and a viewing of a working rehearsal for the COC's The Barber of Seville. YOL participants are also given 2 tickets to watch the dress rehearsal for The Barber of Seville on Wednesday, April 15, 2015 at 7:30 p.m.!
Registration opens on March 16, with the YOL taking place on Saturday, April 11 from 12 to 4:30 p.m., but registration fills up quickly so be sure to register here ASAP!
Spice up your March Break with Humber College’s Latin Jazz Ensemble, whose unique blend of Afro-Cuban and jazz sounds is guaranteed to get your salsa on. Percussive, melodic, zesty and always inspired, Humber College’s Latin Jazz Ensemble, led by Grammy and Juno Award-winner Hilario Durán, is a performance not to be missed at the Four Seasons Centre.
Free concert seats fill up quickly, so arrive early to ensure a seat! Doors open half an hour before the performance. Learn more about this performance and the Free Concert Series here.
Join opera comedienne Kyra Millan, collaborative pianist Christina Faye and COC Ensemble Studio bass-baritone Iain MacNeil in a lively interactive concert featuring favourite operatic arias and sing-along choruses. Audience members of all ages, including families with small children, can listen to, learn about and try their hand at the fascinating art of opera!
This free concert is an annual favorite, so arrive early to ensure a seat! Doors open half an hour before the performance. Learn more about this performance and the Free Concert Series here.
Discover why the acoustics of the R. Fraser Elliott Hall have been rated amongst the best in the world, visit private member lounges, and take in the architecture of the magnificent Isadore and Rosalie Sharp City Room. Then step behind the curtain of Canada’s first and only purpose-built opera house and walk in the footsteps of its greatest stars. With your backstage pass you will have the opportunity to see wardrobe and wig rooms, stars’ dressing rooms, the orchestra pit, green room, Karen Kain Dance Studio, and much more.
This tour is 90 minutes long and tickets are $20 for adults and $15 for students and seniors. Tickets for public tours can be purchased in advance online or at the FSC Box Office, 145 Queen St. W., Monday to Saturday from 11 a.m. to 6 p.m. Tickets will also be available on the morning of the tour starting at 10 a.m. at the welcome desk located in the main lobby. Learn more about the building tour here.
Posted by Kiersten Hay / in Education / comments (0) / permalink
The Canadian Opera Company’s Education and Outreach team has had the honour and pleasure of collaborating and connecting with thousands of young people through its opera programs for students, children, youth, and their families. There is no greater moment of pride than hearing about the positive impact a COC program had on a former participant.
A few weeks ago the COC Education team received a heartwarming update from a parent of a former participant of the COC’s After School Opera Program (ASOP) that her son Nassir had landed the lead role in his school’s upcoming production of High School Musical. Today we take a look back at how Nassir’s experience in the After School Opera Program helped him make the leap from a COC rehearsal room to the school stage.
Nassir’s mother, Miriam, signed him up for the After School Opera Program back in 2010: “I signed Nassir up for the program because I wanted him to occupy his time doing something fun. I also thought it would help him with public speaking.” Little did Miriam know that her attempt to help Nassir gain confidence speaking in public would ultimately spark his interest in the performing arts. “I realized I had an interest in the performing arts after my first performance at the After School Opera Program,” says Nassir. “I had such a good time putting on that specific performance.” The opera was called Otherworldly (appropriately titled for its Halloween theme) and was written specifically for children by lead artist and composer, Dean Burry. Nassir excelled in character creation and acting, incorporating different voices, postures, gestures, and movements that suited his ghostly character. Musically, he never shied away from singing when asked to take on small solos or be a part of the chorus.
He credits his positive experience to Dean: “Dean made it very memorable by his whole approach towards our learning. He was extremely positive and supportive, even when we messed up.” With Dean’s encouragement and guidance, Nassir was able to explore his artistic abilities through a variety of characters including a Bumble Bee in The Bee Opera, a Royal Guard in The Tragedy of Icarus, a clown doctor in Clownin’ Around, and a young soldier in A Bucket Brigade, which was inspired by the war of 1812.
The biggest surprise would come in 2012, after Nassir graduated from the After School Opera Program, when he applied, auditioned, and was accepted into St. Patrick Catholic Secondary School’s Centre for the Arts, Media and Technologies arts program. “ASOP [After School Opera Program] impacted me by adding to my personality. I was always an outgoing person, but ASOP has made me more social and charismatic. I’m more confident speaking in large groups of people and enjoy performing for class assignments rather than reading from a PowerPoint.”
Thanks to the support of his teachers Ms. Cossaro, Mr. Mayne, Mr. Sousa and Ms. Gaudette, Nassir’s enjoyment and appreciation of the arts lives on. In 2014, Nassir landed the supporting role of Roger in the school’s performance of Grease and tomorrow he has his big role debut in St. Patrick Secondary School’s production of High School Musical. Dean and the Education staff at the COC couldn’t be prouder. And Nassir’s mom? “I’m most looking forward to seeing Nassir hold his own in his first lead role. He can sometimes doubt himself. I want to see him put on the best performance ever! And let this experience teach him that if he works hard, he can accomplish just about anything!”
The COC wishes Nassir and his fellow classmates and teachers a successful run of High School Musical!
The COC’s After School Opera Program operates out of five community centres in Toronto. Registration for the spring term opens on March 7. Find more information on the arts program at St. Patrick Secondary School at the Toronto Catholic District School Board here.
Photo Credits (top down): Nassir (left) as a Guard in the After School Opera Program production of The Tragedy of Icarus. Photo: COC, 2011; Nassir at school; Nassir (centre) as a Young Soldier in the After School Opera Program production of The Bucket Brigade. Photo: Mark Harris, 2012.
The McLean Foundation
The Lloyd Carr-Harris Foundation
The Chawkers Foundation
Posted by Katherine Semcesen / in Education / comments (0) / permalink
Take a close-up look behind the scenes and into the wardrobe with the costumes from our production of Semele, designed by internationally renowned fashion and costume designer Han Feng. Catch Semele in New York City when the COC presents it at the Brooklyn Academy of Music (BAM) from March 4-10, 2015!
Han Feng's designs combine elements of Baroque European tailoring with the patterned silks, colours and flowing fabrics of traditional Chinese theatre. Click on the arrows on the sides of the photos (they appear when you hover the cursor over them) to see various photos of the costumes, styled by COC Costume Supervisor Sandra Corazza.
This jacket, worn by Jupiter for mere minutes in the production, is one of the most grand pieces among the costumes; one befitting the ruler of the gods! The rich gold in both the jacket and wings imply the grandeur and rank of the god. Despite this, he quickly removes it when he enters onstage in Act II to meet his lover Semele, taking on a human form in plain breeches and an open white shirt in order to appear in front of her. Another reason for the hasty removal may be the fact that the jacket and wings are quite heavy, making it very difficult to wear!
One of the brightest garments in the opera is Semele's wedding robe, which she wears with a pink dress in Act I during the preparations for her wedding to Athamas. The large, bright red pattern shows the role of colour in Chinese wedding ceremonies, where red is considered a lucky colour signifying love, prosperity and happiness.
Semele, the woman whom Jupiter falls in love with, has several costumes throughout the opera. This silk dress is paired with a large pink robe in a heavier silk fabric, but is quickly removed during Act II when Jupiter arrives to romance her. The backless look of the dress also imitates the pink silk dress Semele wears in Act III, while the cut of this one, with its wrap effect and flutter sleeves, implies that it is being worn in a more casual, relaxed setting, like a nightgown or undergarment.
Juno, Jupiter's wife, appears in several outfits throughout the opera. Her main costume however is comprised of a black silk corset, full skirt, and purple velvet bolero jacket, all suggesting her royal stature and rank as a goddess and Jupiter's wife. The coiled and piled nature of her pearl necklace also mimics the wig paired with the costume, which features a beehive hairstyle formed from braids.
The COC presents Semele at the Brooklyn Academy of Music from March 4-10, 2015. For more information or to buy tickets, visit the BAM website here.
Costume photo credits: Costumes from the Canadian Opera Company production of Semele, 2015. Director and set designer Zhang Huan, costume designer Han Feng. Costume styling: Sandra Corazza. Photos: Kiersten Hay.
All production photographs: Michael Cooper.
Posted by Kiersten Hay / in Semele / comments (0) / permalink
Sara Fulgoni in the COC production of Bluebeard's Castle. Photo: Michael Cooper © 2001