By Gianmarco Segato, Adult Programs Manager
For Episode 19, the “Opera critics UNITE!” edition, we welcome back opera journalists Joseph So, and Paula Citron; Western Canadian opera presenter and journalist, Stephan Bonfield as well as opera blogger John Gilks. New to the panel is Toronto music critic and musician, John Terauds. Gianmarco Segato, the COC’s Adult Programs Manager, is your host.
We took advantage of the critic-heavy presence this week to hold a round table discussion on the past, present and future of classical musical criticism (sneaking in a couple of other timely topics as well!)
Are you out there listening? What would you like us to talk about next time? Let us know by sending us your ideas/comments by commenting here, on Facebook, Twitter or by e-mail (firstname.lastname@example.org).
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On November 26, 2013, for the first time, nine finalists in the Ensemble Studio Competition will now perform from the mainstage of the Four Seasons Centre, accompanied by the internationally acclaimed COC Orchestra conducted by COC Music Director Johannes Debus and hosted by Grammy-nominated and multi-Juno Award winner, singer-songwriter and composer Rufus Wainwright. To watch the competition and see Canada's rising opera stars, visit our Centre Stage website and buy your tickets today! Over the next two weeks, follow along on Parlando as we introduce you to each of our finalists.
Iain MacNeil didn’t find opera, opera found him, and he’s never looked back.
Born and raised in Brockville, Ontario, Iain was introduced to opera in the first year of his music degree of Dalhousie University. Iain intended to become a music teacher. He studied voice, thinking that he’d be more successful as a vocalist than an instrumentalist in a university setting. However, his teacher at Dalhousie, Marcia Swanston, recognized potential when she heard it. Along with his other teachers, she opened Iain’s eyes (and ears) to a world of music that he hadn’t ever dreamed.
“I quickly fell in love with singing, and with classical music,” he shares. “And lots of voice lessons and a healthy amount of stage experience has brought me to this point.”
From Dalhousie University, Iain went on to the University of Toronto, where he is currently completing an opera diploma. His opera performances to date include Figaro in Le nozze di Figaro, Don Giovanni in scenes from Don Giovanni and Dulcamara in scenes from L’elisir d’amore (Centre for Opera Studies in Italy); Bobby in Kurt Weill’s Mahagonny-Songspiel, Sweeney Todd in Sweeney Todd, Brewer in Comedy on the Bridge and Tom/John in The Face on the Barroom Floor (Dalhousie Opera Workshop). Most recently, in 2013, he participated in the Young Singers Project at the Salzburg Festival.
“What I find compelling about opera as an art form is that it depends on refined human voices, and uses them to marry several other powerful forces together, namely music and poetry,” says Iain. “Furthermore, I find that honest use of the voice is one of the most compelling and soul-stirring events known to humankind.”
When not thinking about opera, Iain’s attention is turned to another passion: motorcycles. “I love motorcycles, so I would consider just thinking about owning one a hobby in itself – I certainly spend plenty of time doing that,” he says. Otherwise, he’s playing the guitar, jamming with friends, shooting hoops, longboarding, watching philosophical debates on YouTube or having philosophical discussions, drinking good coffee, sipping micro-brewed beers, having campfires, stargazing and swimming in lakes.
He doesn’t have a dream role, yet, but is open to suggestions. Mozart’s Figaro and Sondheim’s Sweeney Todd are two parts, though, that are already on his radar, “Both are incredibly interesting and enjoyable to me, and having done them both already, I can’t wait to do them again!”
The Ensemble Studio competition is Tuesday, November 26, 2013. Tickets to the Ensemble Studio Competition and Centre Stage cocktail celebration are $100.For more information and to purchase tickets, visit COCCentrestage.ca. You can buy tickets here, call COC Ticket Services at 416-363-8231 or go to the Four Seasons Centre for the Performing Arts Box Office (145 Queen St. W.). You can also chat about the event with us on Twitter using #COCCentrestage.
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For the Winnipeg-based soprano, opera is a family affair.
Lara’s father is responsible for introducing her to opera. “I was drawn to opera because of the quality time I spent with my father, starting when I was very young, listening to the Saturday afternoon radio broadcasts from the Metropolitan Opera,” she says. “My dad played the music so regularly in our house and I found myself drawn to the drama and acoustic aesthetic of this art form.”
Since falling in love with opera as a child, Lara has gone on to study vocal performance at the New England Conservatory of Music in Boston and completed a master’s degree at The Juilliard School in New York.
Lara's credits include Donna Elvira in Don Giovanni (The Banff Centre); the American premiere of Alessandro Rossi's Ritual (The New Juilliard Ensemble); Giulia in La Scala di Seta (Juilliard); and Suor Genovieffa in Suor Angelica (Manhattan Opera Studio). She will also appear as Zerbinetta in Ariadne auf Naxos with Manhattan Opera Studio. But her dream role? She would love to play Violetta in Verdi’s La Traviata and the title character in Alban Berg’s Lulu.
Even if she wasn't an opera singer, Lara would still be involved in music in some way, as a musical director working on TV shows and films. She says, “It would be so interesting to get to seek out new music from artists across all genres and pair them with cinematic moments.” When she’s not singing, Lara enjoys musical hobbies like playing piano and collaborating with her friends in art song repertoire.
But she still has time for non-musical activities. Lara speaks some Hebrew, French, German and Italian and stays fit by snowboarding and practicing yoga. She also enjoys tinkering with her fantasy football team. Visit her website to learn more about Lara!
Sara Fulgoni in the COC production of Bluebeard's Castle. Photo: Michael Cooper © 2001