Parlando: The COC Blog

10/28/2015

Centre Stage 2015: Marjorie Maltais



Out of a pool of 120 aspiring opera singers from across the country, eight were selected to compete at Centre Stage: Ensemble Studio Competition on November 3, 2015, our annual celebration of the next generation of opera stars selected from nationwide auditions for the COC Ensemble Studio—Canada’s premier training program for young opera professionals. The competition features the young singers vying for cash prizes ranging in value from $1,500 to $5,000. We interviewed our eight young finalists to learn more—check out all of the interviews, linked by name as they become available, here (or here if on a mobile device). 


Clermont, Quebec-born mezzo-soprano Marjorie Maltais recently completed her master of music performance and literature at Western University, where she also earned a bachelor of music in voice performance. Her operatic credits include Rosina in The Barber of Seville (Montefeltro Festival); Dorabella in Così fan tutte, Angelina in La Cenerentola, and Concepcion in L’heure espagnole (Western University Opera); the title role in Carmen (Windsor Symphony Orchestra); and Hermia in A Midsummer Night’s Dream (Opera on the Avalon). She also recently performed at Music Academy of the West. Upcoming performances include concert appearances with the Guelph and Windsor symphony orchestras, Boise Philharmonic and Sweetwater Music Festival. 

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Posted by Kiersten Hay / in Centre Stage / comments (0) / permalink

10/27/2015

Centre Stage 2015: Lauren Eberwein



Out of a pool of 120 aspiring opera singers from across the country, eight were selected to compete at Centre Stage: Ensemble Studio Competition on November 3, 2015, our annual celebration of the next generation of opera stars selected from nationwide auditions for the COC Ensemble Studio—Canada’s premier training program for young opera professionals. The competition features the young singers vying for cash prizes ranging in value from $1,500 to $5,000. We interviewed our eight young finalists to learn more—check out all of the interviews, linked by name as they become available, here (or here if on a mobile device). 


Qualicum Beach, BC native, mezzo-soprano Lauren Eberwein studies at the Curtis Institute of Music and is a member of Opera Philadelphia’s Emerging Artist Program. Her credits include Baba the Turk in The Rake’s Progress, The Composer in Ariadne auf Naxos, Zita in Gianni Schicchi, Tisbe in La Cenerentola, Mère Marie in Dialogues des Carmélites, Second Lady in The Magic Flute, and Dido inDido and Aeneas (Curtis Opera Theater), as well as Sorrel and Dodo in Double Exposure with Opera Philadelphia. She was a featured soloist with the Curtis Baroque Ensemble, and the Curtis and Maryland symphony orchestras. She also began her residency at The Marlboro Music Festival this summer. This season, she appears at Opera Philadelphia as Olivia in Cold Mountain and Clairon in Cappriccio, and makes her Carnegie Hall debut singing Handel's Israel in Egypt with the New York Choral Society.

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Posted by Kiersten Hay / in Centre Stage / comments (0) / permalink

10/27/2015

Centre Stage 2015: Emily D’Angelo



Out of a pool of 120 aspiring opera singers from across the country, eight were selected to compete at Centre Stage: Ensemble Studio Competition on November 3, 2015, our annual celebration of the next generation of opera stars selected from nationwide auditions for the COC Ensemble Studio—Canada’s premier training program for young opera professionals. The competition features the young singers vying for cash prizes ranging in value from $1,500 to $5,000. We interviewed our eight young finalists to learn more—check out all of the interviews, linked by name as they become available, here (or here if on a mobile device). 


Mezzo-soprano Emily D’Angelo grew up in Toronto and is in her final year of the bachelor of music in voice at the University of Toronto where she was the 2015 recipient of the Jim and Charlotte Norcop Prize in Song. Operatic credits include Sesto in Giulio Cesare (Halifax Summer Opera Festival); Nerone in L'incoronazione di Poppea; Annio in La clemenza di Tito (Centre for Opera Studies in Italy); Berta in The Barber of Seville (Opera York); and Cherubino in scenes from The Marriage of Figaro (UofT Opera). Ms. D’Angelo has participated in young artists programs at the Ravinia Festival, SongFest at Colburn, and Boston University Tanglewood Institute. She made her solo debut with the Toronto Symphony Orchestra in 2011. 

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Posted by Kiersten Hay / in Centre Stage / comments (0) / permalink

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Sara Fulgoni in the COC production of Bluebeard's Castle. Photo: Michael Cooper © 2001

 

 

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