Parlando: The COC Blog

5/17/2013

Last week for 2012/2013! Don't miss these spectacular productions!

There's only a week left of our 2012/2013 season and we have three world-class productions running almost every day at the Four Seasons Centre for the Performing Arts! The critics are raving about our spring season, which is full of obsessive desires and gut-wrenching devotion. Read what they are saying and watch our exclusive behind-the-scenes videos for each production!

Atom Egoyan's dramatic interpretation of Strauss's dark opera was described as "one of the dark jewels of the Canadian Opera Company" and that the third time must be a charm because Stage Door said "if you have seen this production before, you will find that it has only grown in richness of interpretation".

With knock-out performances by Erika Sunnegårdh who performed with "power and beauty" and Richard Margison who sang "magnificently" in his role debut, the music left the Toronto Sun saying that "under the baton of Johannes Debus, the COC Orchestra is on hand to give a finely-etched and sensitive reading of Strauss’s complex score." Read more critical acclaim for Salome here.

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Posted by Danielle D'Ornellas / in 2012/2013 / comments (0) / permalink

5/16/2013

Dialogues des Carmélites: A masterful Dialogue!

Posted by Danielle D'Ornellas / in 2012/2013 / comments (0) / permalink

5/15/2013

Looking at Salome

By Nikita Gourski, Development Communications Officer

In 1994, Canadian film director Atom Egoyan won international recognition for his film Exotica, a provocative meditation on erotic obsession and psychological trauma explored through the relationship of a nightclub dancer and her male client.

Shortly after Exotica’s release, the Canadian Opera Company approached Egoyan with an offer to direct an opera, a story so thematically saturated with voyeurism it seemed ideal for the young filmmaker’s sensibility: Richard Strauss’s Salome.

Unveiled in 1996, Egoyan’s production simultaneously recognized the deeply disturbing matter of the opera – a work that has inflamed scandal since its 1905 world premiere – while offering a fresh reading responsive to our contemporary culture. Rather than a first-century palace in Judea, Egoyan set the action in an abstract and foreboding environment, something between a spa and a sanatorium. Derek McLane’s set design is built around a diagonal plane tilted at a dangerously steep angle, with Jochanaan (John the Baptist) imprisoned underneath the floorboards instead of the subterranean cistern in which he’s traditionally kept.

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Posted by Danielle D'Ornellas / in 2012/2013 / comments (0) / permalink

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Sara Fulgoni in the COC production of Bluebeard's Castle. Photo: Michael Cooper © 2001