On November 26, 2013, for the first time, nine finalists in the Ensemble Studio Competition will now perform from the mainstage of the Four Seasons Centre, accompanied by the internationally acclaimed COC Orchestra conducted by COC Music Director Johannes Debus and hosted by Grammy-nominated and multi-Juno Award winner, singer-songwriter and composer Rufus Wainwright. To watch the competition and see Canada's rising opera stars, visit our Centre Stage website and buy your tickets today! Over the next two weeks, follow along on Parlando as we introduce you to each of our finalists.
Having to sing in a language other than your mother tongue is par for the course in the opera world, so knowing a couple, particularly French, Italian or German, can come in handy for a singer. Well, tenor Jean-Philippe Fortier-Lazure has it covered, and then some.
Jean-Philippe was born and raised in Ontario’s Kitchener-Waterloo area, but with all of his extended family in Québec, and having spent a lot of time in Ottawa and Montreal as part of his university and vocal studies, French comes just as easily to him as English. He also has a bit of familiarity with Spanish, German and some Italian, courtesy of high school student exchanges. Jean-Philippe says he has enough that he can “get by” or as he puts it, “So, if I was dropped from a plane and landed in Spain, Germany or even Italy, I could have a siesta, order a schnitzel, and find some delicious gelato, and then reluctantly make my way home.”
This flare for languages would certainly come in handy if Jean-Philippe were ever to pursue a career as an interpreter, a profession he’s already flirted with to some degree through studies in university and as a volunteer interpreter with the Kitchener-Waterloo Philharmonic Youth Choir on a trip to Europe. “I loved the experience,” he says. “It was challenging, but a lot of fun at the same time!”
Posted by Danielle D'Ornellas / in Ensemble Studio / comments (0) / permalink
Health coach. Therapist. Yoga Teacher.
Those are the possible careers that Emma Char may have pursued, that is if the mezzo-soprano hadn’t begun, at the age of 16, what has turned into a love affair with opera.
Born in Kitchener, Ontario, but raised in Philadelphia since the age of four, Emma fell into opera gradually, beginning with lessons with a voice teacher because she was interested in learning how to sing for musical theatre.
“He was the one who introduced me to classical singing in art songs and encouraged me to apply to music school for a voice degree. I decided singing was something I wanted to focus on more, so I took the plunge and went to a conservatory,” says Emma.
That operatic dive has put her on a path to one day realizing her dream role of singing Rosina in Il barbiere di Siviglia.
By Gianmarco Segato, Adult Programs Manager
For Episode 19, the “Opera critics UNITE!” edition, we welcome back opera journalists Joseph So, and Paula Citron; Western Canadian opera presenter and journalist, Stephan Bonfield as well as opera blogger John Gilks. New to the panel is Toronto music critic and musician, John Terauds. Gianmarco Segato, the COC’s Adult Programs Manager, is your host.
We took advantage of the critic-heavy presence this week to hold a round table discussion on the past, present and future of classical musical criticism (sneaking in a couple of other timely topics as well!)
Posted by Danielle D'Ornellas / in The Big COC Podcast / comments (0) / permalink
Sara Fulgoni in the COC production of Bluebeard's Castle. Photo: Michael Cooper © 2001