By Jennifer Pugsley, Media Relations Manager
A singer never really goes on vacation. Yes, there’s time set aside for rest and relaxation, but always on the horizon is the need to get ready for what’s next. There’s always a performance to prepare for or some kind of private study in anticipation of a future role. That’s certainly the case for sopranos Sasha Djihanian and Claire de Sévigné, tenor Owen McCausland and baritone Cameron McPhail. Currently on break from the Canadian Opera Company’s Ensemble Studio, these four young artists will enjoy a mixture of business and pleasure this summer before they return to the company at the end of August.
Posted by Danielle D'Ornellas / in Ensemble Studio / comments (0) / permalink
Peter Deeb, Ensemble Studio member Claire de Sévigné and General Director Alexander Neef during intermission at the opera.
Peter Deeb is a success story by any measure. As the founder and Chairman of Hampton Securities, one of Canada’s leading investment firms, he has been an active member of Canada’s financial services community for over 20 years, having built a long career on Bay Street. A merchant banker by profession, Peter became well known for proprietary investments in energy, finance, shipping, and mining that over the years grew to become a major industrial portfolio. Peter also became a key figure in the regulatory development of Canada’s investment industry, serving as a past Chairman of the Ontario District Counsel and National Advisory Board of the Investment Industry Regulatory Association of Canada (IIROC).
As successful as Peter Deeb is professionally, it’s his interest in the future of music that really endears him to us. When the music lover and Royal Conservatory alumnus wanted to assist as many young artists as possible, he turned his attention to the Canadian Opera Company, because, as he says, “the COC has become the cultural epicentre of the city.”
Peter has been a generous supporter of the COC since 2008 but last year, he wanted to express his commitment more personally. In 2012/2013 Peter committed a remarkable $1 million for the express purpose of helping to fund the COC’s training program for young opera professionals, the Ensemble Studio.
Posted by Danielle D'Ornellas / in Behind the Scenes / comments (0) / permalink
Posted by Danielle D'Ornellas / in 2012/2013 / comments (0) / permalink
Sara Fulgoni in the COC production of Bluebeard's Castle. Photo: Michael Cooper © 2001