What she's doing with us: American soprano (and now, Toronto resident!) Sondra Radvanovsky returns to the COC in her role debut as Elisabetta in Roberto Devereux. She puts on her final crown in Donizetti's "Tudor Trilogy," having already tackled the title roles of Anna Bolena and Maria Stuarda.
Where you might have seen her: While Toronto audiences may recognize Sondra from her role and COC debut in our 2010 production of Aida, Sondra is a globally recognized artist, well-known for Verdi roles, who has sung in all the major opera houses in the world. Closer to home, Met Live in HD audiences may recognize her for such roles as Leonora in Il Trovatore and Amelia in Un ballo in maschera, and also as a Met Live in HD host!
Her background: Born just outside Chicago, Sondra moved to Richmond, Indiana when she was 11, and sang her first full opera there when she was 21. She studied theatre and voice at University of Southern California and at UCLA, and took advanced studies at the Tanglewood Music Center and at the University of Cincinnati's College Conservatory of Music. She then went on to win the 1995 Metropolitan Opera's National Council Auditions and joined the Lindemann Young Artist Development Program.
Posted by Danielle D'Ornellas / in Roberto Devereux / comments (0) / permalink
By Jennifer Pugsley, Media Relations Manager
Soprano Claire de Sévigné has spent much of her summer studying at the prestigious Music Academy of the West in Santa Barbara, California. We at the COC wanted to find out exactly what she’s been learning, what kind of performances she’s been giving and if she’s been having any fun in that California sun.
What have you been doing at the Music Academy of the West?
At Music Academy of the West there are two public masterclasses a week, in addition to Italian, German and French diction coaching sessions, as well as voice lessons and coachings. At the beginning of the summer, we did a three-hour scenes program and I performed a scene from Rossini’s La Cenerentola, in which I sang the role of Clorinda (see photo below).
Back in mid-July, we had the Marilyn Horne Song Competition. Each singer had to perform three songs, one being in English. I sang "An die Nacht" by Strauss, "À Cupidon" by Milhaud and "Black Anemones" by Schwantner. Although I didn't place, I enjoyed the experience so much. I got to perform with a fellow Canadian, pianist Ronny Michael Greenberg from Montreal. We had such a positive experience collaborating that we’re now planning to schedule a recital tour, making it possible for us to work again in the near future. We’re now staging Mozart’s The Magic Flute in which I’m singing the Queen of the Night (see photo above). At the end of the summer, I’ll also be performing in the Cabaret concert and sing "Il bacio" by Arditi, a great coloratura waltz.
Posted by Danielle D'Ornellas / in Ensemble Studio / comments (0) / permalink
By Gianmarco Segato, Adult Programs Manager
As opera lovers the world over eagerly anticipate the return of live opera with the start of the fall season, increasingly, fans are also learning to anticipate a specific date each August: the day tickets go on sale for the Metropolitan Opera’s series of live HD transmissions.
This year those dates are Wednesday, August 14 (for Met Members, and for Cineplex Odeon SCENE cardholders) and Wednesday, August 21 for the general public. Many local HD enthusiasts still do things “old school”, lining up very early in the morning for tickets at venues across the Greater Toronto Area. You can also buy your tickets online, choosing the specific seat you want to sit in – but don’t dawdle as theatres sell out quickly.
The upcoming Met Live in HD season features a large number of artists and productions which have specific COC connections – here are some of the highlights:
Posted by Danielle D'Ornellas / in Opera Appreciation / comments (0) / permalink
Sara Fulgoni in the COC production of Bluebeard's Castle. Photo: Michael Cooper © 2001