Parlando: The COC Blog

10/1/2014

FALSTAFF(S)

By C. Ian Kyer



In 1995 when American bass-baritone John Del Carlo was preparing to sing the lead in Falstaff at the Schwetzinger Festspiele, he had to do extra training. He had sung Verdi’s Falstaff before but this time was very different, because what he was singing was not the work of Arrigo Boito and Giuseppe Verdi. This Falstaff featured a libretto by Carlo Prospers Defranceschi with music by none other than Mozart’s infamous rival, Antonio Salieri. To Del Carlo’s surprise he found the work both entertaining and musically interesting.

The two Falstaffs were both the work of mature and celebrated composers. Verdi’s Falstaff was in fact his 26th and last opera. He had said that he fired his last cartridge with Otello (1887) but in 1889, at age 76, he began to set another libretto based on Shakespeare’s The Merry Wives of Windsor. Verdi and his librettist called it Falstaff, after the lead character in Shakespeare’s play, Sir John Falstaff, and it premiered at Milan’s Teatro alla Scala on February 9, 1893.

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Posted by Kiersten Hay / in Falstaff / comments (0) / permalink

9/30/2014

Madama Butterfly Journey: The Opera

 

Madama Butterfly is one of Giacomo Puccini’s greatest works and one of the most popular operas in the world. The opera tells the tragic story of Cio-Cio San, a Geisha, who falls in love with B. F. Pinkerton, a U.S. naval officer, while he is stationed in Japan. Formed through layers of symbolism, musical history, and diverse cultures, the opera is filled with unique elements from the costumes to the arias that help make it a favourite of opera goers both old and new.

Explore our production of Madama Butterfly in our new series of infographics, where we guide you through the story and characters, costumes, makeup, and wigs, and the score, set, and artistic direction of our production. Get to know the show before you go, and catch a glimpse behind the scenes of Puccini’s perennial favourite. 

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Posted by Kiersten Hay / in Madama Butterfly / comments (0) / permalink

9/19/2014

The Big COC Podcast — Episode 27

By Gianmarco Segato, Adult Programs Manager

 

For Episode 27, the “Money Talks” edition, we welcome back arts journalist Catherine Kustanczy, Opera Canada editor,Wayne Gooding, and Jenna Douglas, a Toronto-based collaborative pianist and author of the opera blog, Schmopera. Gianmarco Segato, the COC’s Adult Programs Manager, is your host.

 
You can subscribe to The Big COC Podcast on iTunes, Stitcher, or in your favourite podcast player with our RSS feed (http://feeds.feedburner.com/bigCOCpodcast).

Are you listening? Let us know your thoughts, opinions and suggestions by contacting us on our blog, Parlando, Facebook, Twitter, or by e-mail (community@coc.ca).

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Posted by Meighan Szigeti / in The Big COC Podcast / comments (0) / permalink

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Sara Fulgoni in the COC production of Bluebeard's Castle. Photo: Michael Cooper © 2001