The COC is greatly saddened by the news of the passing of Peter Collins, COC Ensemble Studio member from 2001-2004, who is remembered as a great friend and colleague with a beautiful tenor voice. We look back at some of the productions he was involved with, and wish his family and friends comfort in their time of grief.
Posted by Kiersten Hay / in In Memory / comments (0) / permalink
April showers bring May flowers, and the laughter and praise for our production of The Barber of Seville is raining down in buckets! Read the reviews and see the images, tweets, and videos that are pouring in for Els Comediants's unique rendition of Rossini's classic comedy.
Posted by Kiersten Hay / in Barber of Seville / comments (0) / permalink
By Nikita Gourski
Spring isn't the only thing brightening up the days in Toronto! We're listing the top 12 reasons you can't miss seeing our production of The Barber of Seville from the brilliant and hilarious minds of the Els Comediants production team!
Featuring one of the most recognizable scores in the entire operatic repertoire, Gioachino Rossini's The Barber of Seville has become the most performed opera worldwide. You can learn more about this classic comic masterpiece through our Listening Guide.
Rossini was born in 1792 in Pesaro, a seaport town on the Adriatic coast. Growing up with musician parents—his mother a soprano; his father a horn and trumpet player—he was immersed from a young age in the bustling, often chaotic world of Italian opera houses, in which a new work might be composed, rehearsed, and performed within the span of only a few weeks. By his early teens he was already a polished musician, studying at the conservatory in Bologna, and composing original works, including opera.
Sara Fulgoni in the COC production of Bluebeard's Castle. Photo: Michael Cooper © 2001