Parlando: The COC Blog

10/29/2015

Centre Stage 2015: Zachary Read



Out of a pool of 120 aspiring opera singers from across the country, eight were selected to compete at Centre Stage: Ensemble Studio Competition on November 3, 2015, our annual celebration of the next generation of opera stars selected from nationwide auditions for the COC Ensemble Studio—Canada’s premier training program for young opera professionals. The competition features the young singers vying for cash prizes ranging in value from $1,500 to $5,000. We interviewed our eight young finalists to learn more—check out all of the interviews, linked by name as they become available, here (or here if on a mobile device). 


Halifax native and baritone Zachary Read is currently a member of Vancouver Opera’s Yulanda M. Faris Young Artist Program, and he studied opera at the University of Toronto (UofT) and Western University. His credits include Marullo in Rigoletto, Jonas Fogg in Sweeney Todd, Le Podestat in Le Docteur Miracle, Ivan in Die Fledermaus, and Morales in Carmen (Vancouver Opera); Sid in Albert Herring and Malatesta in Don Pasquale (UofT Opera); and Guglielmo in Così fan tutte (Accademia Europea dell’Opera). Mr. Read was a Metropolitan Opera National Council Auditions regional finalist and won the District People’s Choice Award. He was also a semi-finalist in the 2015 Lotte Lenya Competition. Upcoming roles include Prince Yamadori and Imperial Commissioner in Vancouver Opera’s Madama Butterfly

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Posted by Kiersten Hay / in Centre Stage / comments (0) / permalink

10/28/2015

Centre Stage 2015: Marjorie Maltais



Out of a pool of 120 aspiring opera singers from across the country, eight were selected to compete at Centre Stage: Ensemble Studio Competition on November 3, 2015, our annual celebration of the next generation of opera stars selected from nationwide auditions for the COC Ensemble Studio—Canada’s premier training program for young opera professionals. The competition features the young singers vying for cash prizes ranging in value from $1,500 to $5,000. We interviewed our eight young finalists to learn more—check out all of the interviews, linked by name as they become available, here (or here if on a mobile device). 


Clermont, Quebec-born mezzo-soprano Marjorie Maltais recently completed her master of music performance and literature at Western University, where she also earned a bachelor of music in voice performance. Her operatic credits include Rosina in The Barber of Seville (Montefeltro Festival); Dorabella in Così fan tutte, Angelina in La Cenerentola, and Concepcion in L’heure espagnole (Western University Opera); the title role in Carmen (Windsor Symphony Orchestra); and Hermia in A Midsummer Night’s Dream (Opera on the Avalon). She also recently performed at Music Academy of the West. Upcoming performances include concert appearances with the Guelph and Windsor symphony orchestras, Boise Philharmonic and Sweetwater Music Festival. 

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Posted by Kiersten Hay / in Centre Stage / comments (0) / permalink

10/27/2015

Centre Stage 2015: Emily D’Angelo



Out of a pool of 120 aspiring opera singers from across the country, eight were selected to compete at Centre Stage: Ensemble Studio Competition on November 3, 2015, our annual celebration of the next generation of opera stars selected from nationwide auditions for the COC Ensemble Studio—Canada’s premier training program for young opera professionals. The competition features the young singers vying for cash prizes ranging in value from $1,500 to $5,000. We interviewed our eight young finalists to learn more—check out all of the interviews, linked by name as they become available, here (or here if on a mobile device). 


Mezzo-soprano Emily D’Angelo grew up in Toronto and is in her final year of the bachelor of music in voice at the University of Toronto where she was the 2015 recipient of the Jim and Charlotte Norcop Prize in Song. Operatic credits include Sesto in Giulio Cesare (Halifax Summer Opera Festival); Nerone in L'incoronazione di Poppea; Annio in La clemenza di Tito (Centre for Opera Studies in Italy); Berta in The Barber of Seville (Opera York); and Cherubino in scenes from The Marriage of Figaro (UofT Opera). Ms. D’Angelo has participated in young artists programs at the Ravinia Festival, SongFest at Colburn, and Boston University Tanglewood Institute. She made her solo debut with the Toronto Symphony Orchestra in 2011. 

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Posted by Kiersten Hay / in Centre Stage / comments (0) / permalink

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Sara Fulgoni in the COC production of Bluebeard's Castle. Photo: Michael Cooper © 2001

 

 

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