By Alexander Neef, General Director
In case you missed it, read Alexander's European Summer Festivals: Part I.
As in Bayreuth, seeing colleagues from the cultural world mixed nicely with wonderful opera at the Festival d’Aix-en-Provence. When you travel alone, it’s really nice to meet people you know at the theatre in the evenings, so I was very grateful to the people in the festival’s protocol office. They kindly sat three lonely travelers together for three nights: me, Jonathan Friend, the Metropolitan Opera’s artistic administrator, and Catherine Pégard, the President of Versailles (who I knew during my time at the Paris Opera when she was the cultural advisor for the Président de la Republique.)
I was pleased to see Robert Carsen’s new Rigoletto in the Festival’s outdoor Théâtre d’Archevêché, which has been set up in the courtyard of the old archbishop’s palace. Robert has set his new production in a circus, which suited the outdoor setting extremely well.
Posted by Danielle D'Ornellas / in Alexander Neef / comments (0) / permalink
By Meighan Szigeti, Associate Manager, Digital Marketing
Like Wagner's Die Walküre before it, Puccini’s La Bohème is one of those popular operas that seeps into our pop-culture subconscious. Many audience members who are new to opera might hear a duet or an aria from La Bohème and suddenly exclaim “oh THAT’S where I’ve heard that!” or “That was in Moonstruck?! Wow, I need to become more cultured.”
Well, that last point may not be the case... but if you find yourself wondering if La Bohème is well represented in TV and movies (aside from Rent, let's focus on the lesser-known references you may have missed), here are a few examples of where you have have seen Puccini’s most-performed opera referenced by other pop-culture creators:
Posted by Danielle D'Ornellas / in La Bohème / comments (0) / permalink
By Vanessa Smith, School Programs Manager
While it’s true that every child is different, there is one thing about children that stays pretty constant - they’re always on the move! Running, playing, dancing, fidgeting – movement is always present in their bodies and minds. When tackling a subject like opera, which can be difficult and foreign to younger students, it’s good to “start from where you are” – in this case, we decided to start by getting moving!
About a year ago, Howard Park Junior Public School approached the COC education and outreach team to discuss ways to give their entire school an opera experience. In consultation with the school’s Arts Council and teachers, we came up with a plan to teach sections of the dance curriculum through opera workshops this spring. Each class, including both French immersion students and English students, would participate in two to three workshops over the course of three weeks in March and April.
Posted by Danielle D'Ornellas / in Education / comments (0) / permalink
Sara Fulgoni in the COC production of Bluebeard's Castle. Photo: Michael Cooper © 2001