Take a look behind the scenes of our spring 2016 shows of Carmen and Maometto II with picture and video social media posts from their casts!
Posted by COC Staff / in Carmen / comments (0) / permalink
This spring’s Carmen marks the closing of a circle for Joel Ivany, the acclaimed Canadian director and founder of Against the Grain Theatre collective. In 2005, when the COC premiered the production that audiences are seeing again this season, Joel was building his directing career after studying theatre and music theatre. His friend Brent Krysa was assistant director for the 2005Carmen, and he advised Joel to take a closer look at the world of opera, to see if it appealed to him. So Joel joined the roster of supernumeraries (extras) for that production, and was hooked. Eleven years later, he returns to direct it.
“It was exciting because Carmen was my first real experience of live opera—and I was in it! I saw everything, including how an opera director works. I saw how people treated each other, as groups and individuals—and supers. And that had an impact: for me, whether it’s Carmen herself or the one kid who is on stage for a moment and doesn’t sing, they’re all an important part of the show.”
Posted by Gianna Wichelow / in Carmen / comments (0) / permalink
By Gianmarco Segato
The historical Maometto Secondo, or Mehmet II (1432-1481), captured Constantinople in 1453, thus ending the Byzantine Empire. Rossini set his opera in 1470, the year the Venetian colony of Negroponte off the coast of Greece—a trade gateway to the Eastern Mediterranean—was besieged by the Turks. In order to further his plans to invade Western Europe and conquer the Holy Roman Empire, Maometto needed to take Negroponte. Historically, Mehmet was an enlightened ruler, enforcing religious tolerance and freedom in his conquered territories.
Posted by Gianmarco Segato / in Maometto II / comments (0) / permalink
Sara Fulgoni in the COC production of Bluebeard's Castle. Photo: Michael Cooper © 2001