The Canadian Opera Company Orchestra Academy welcomes five student musicians to its annual three-week intensive training program.
Led by COC Music Director Johannes Debus, and developed in collaboration with The Glenn Gould School at the Royal Conservatory of Music and the University of Toronto’s Faculty of Music, the COC Orchestra Academy offers its student musicians professional insight and experience in their pursuit of a career in an opera orchestra.
The five student players who join the Academy this year were selected from a pool of 12 musicians who auditioned in October 2015 for Debus, COC Orchestra Academy Director Nina Draganic and members of the COC Orchestra: GGS cellist Drew Comstock, GGS violinist Hua-Chu Huang, GGS violinist Yada Lee, GGS bassist Doug Ohashi and UofT violist Meagan Turner.
Posted by Meighan Szigeti / in Orchestra Academy / comments (0) / permalink
It's clear that Violetta and Alfredo are very much in love in our current production of La Traviata, but did you know that for singers Ekaterina Siurina and Charles Castronovo this love extends beyond the stage? We caught up with the married duo to find out more about the pair behind the performance. Check out our Q&A with them below, and don't miss seeing La Traviata before it's gone on November 6, 2015!
Posted by Kiersten Hay / in La Traviata / comments (0) / permalink
Out of a pool of 120 aspiring opera singers from across the country, eight were selected to compete at Centre Stage: Ensemble Studio Competition on November 3, 2015, our annual celebration of the next generation of opera stars selected from nationwide auditions for the COC Ensemble Studio—Canada’s premier training program for young opera professionals. The competition features the young singers vying for cash prizes ranging in value from $1,500 to $5,000. We interviewed our eight young finalists to learn more—check out all of the interviews, linked by name as they become available, here (or here if on a mobile device).
Montreal-born baritone Bruno Roy is currently studying for his master of music performance at McGill University, where he also received his bachelor’s degree. His recent operatic credits include Count Almaviva in The Marriage of Figaro (Opera McGill); Matt in Crush (Banff Centre); L’Horloge/Le Chat in L’enfant et les sortilèges (Opera on the Avalon); Papageno in The Magic Flute(Blooming Voce Summer Opera Workshop); Masetto in Don Giovanni (FAVA Opera); and Raoul de Gardefeu in La Vie Parisienne(Opera Without Fences). In 2016, he appears as John Brooke in Little Women and Belcore in L’elisir d’amore at Opera McGill.
Posted by Kiersten Hay / in Centre Stage / comments (0) / permalink
Sara Fulgoni in the COC production of Bluebeard's Castle. Photo: Michael Cooper © 2001