By Gianmarco Segato, Adult Programs Manager
For Episode 28, the “Decline and Fall” edition, we welcome back Alia Rosenstock, Associate Artist Manager with Dean Artists Management; Western Canadian opera presenter and journalist, Stephan Bonfield and, opera journalist Joseph So. Gianmarco Segato, the COC’s Adult Programs Manager is your host. It’s a new opera season, and along with it, we’re following a flurry of hot opera topics!
• Western Australia Opera cancels their Carmen citing concerns for their audience’s health – must be all that heavy onstage smoking!
• Why are all of European opera’s highest profile music directors quitting?
• In crisis once again, Rome Opera dismisses its orchestra and chorus…
• To leave or not to leave …our panel reveals their own secret walking out of a show stories!
Are you listening? Let us know your thoughts, opinions and suggestions by contacting us on our blog, Parlando, Facebook, Twitter (@CanadianOpera) or by email (email@example.com).
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Explore our production of Madama Butterfly through our latest infographic, delving into the productions costumes, makeup, and wigs, and including exclusive interviews with Costume Designer Susan Benson and Wig and Makeup Supervisor Sharon Ryman.
Madama Butterfly is one of Giacomo Puccini’s greatest works and one of the most popular operas in the world. The opera tells the tragic story of Cio-Cio San, a Geisha, who falls in love with B. F. Pinkerton, a U.S. naval officer, while he is stationed in Japan. Formed through layers of symbolism, musical history, and diverse cultures, the opera is filled with unique elements from the costumes to the arias that help make it a favourite of opera goers both old and new.
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Madama Butterfly, a timeless tale of love, loss and devotion, is one of the world’s most popular operas. From New York City, to Rome and Finland, our globe-trotting Madama Butterfly artists have performed in opera houses and festivals around the world. We asked them to share their favourite stories, memories and behind-the-scenes tidbits from this beloved opera.
I had one of my most memorable Butterfly experiences when I was working, for the first time, with a certain singer notorious for slowing down the tempo in performances – but in rehearsals, this singer asked me not to slow down his part. When it came time for the performance, the Concertmaster (who had known this singer for years) asked me if I was sure about keeping the quicker tempo. I replied confidently, “Of course! Rehearsals have been going well!” But when the performance started, the singer was in a completely different world, singing his part much slower and making it impossible to go at the speed we’d rehearsed. When I looked down at the pit, I received a beautiful, knowing smile from the orchestra. These things are part of the fun of opera!
Sara Fulgoni in the COC production of Bluebeard's Castle. Photo: Michael Cooper © 2001