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Based in Toronto, the Canadian Opera Company is the largest producer of opera in Canada and one of the largest in North America.

General Director David Ferguson joined the company in 2024, forming a leadership team with Music Director Johannes Debus.

The COC enjoys a loyal audience, including a dedicated base of subscribers, and has an international reputation for artistic excellence and creative innovation. Its diverse repertoire includes new commissions and productions, local and international collaborations with leading opera companies and festivals, and attracts the world’s foremost Canadian and international artists.

The company is an incubator for the future of the art form, nurturing Canada’s new wave of opera performers and creators with customized training and support. The COC’s purpose-built opera house, the Four Seasons Centre for the Performing Arts, is hailed internationally as one of the finest in the world. 

Explore our History

Founded in 1950, the Canadian Opera Company has nearly 75 years of history to celebrate, including artistic achievements, technological innovations, and the construction of Canada's first purpose-produced opera house.

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Leadership

A portrait of General Director David C. Ferguson

David C. Ferguson

General Director

David C. Ferguson is a well-known and widely respected leader across sectors and brings a strong record of professional accomplishment and personal passion for the arts to the role of General Director of the Canadian Opera Company. As an avid opera supporter, Mr. Ferguson has a long history of involvement with the COC that extends to time as both President and Chair of the company’s Board of Directors.

Prior to his retirement, he served as Executive Managing Director and Chief Financial Officer of BMO Capital Markets. Mr. Ferguson’s previous experience includes 25 years in public accounting, including 16 years as a partner. In 2006, Mr. Ferguson was awarded the designation of Fellow of the Institute of Chartered Professional Accountants (FCPA), an honour granted for career achievement, service to the profession, and community service.

Mr. Ferguson holds Bachelor of Commerce and MBA degrees from the University of Toronto.

A portrait of Music Director Johannes Debus

Johannes Debus

Music Director

German-born conductor Johannes Debus was appointed Music Director of the Canadian Opera Company in 2009, having already established himself in many of the great opera houses and festivals worldwide. Over the course of his tenure, he has captivated Toronto and international critics alike, skillfully leading productions that include Götterdämmerung, Eugene Onegin, Otello, Salome, and the COC world premiere of Hadrian in 2018. Throughout the pandemic disruption of 2020-2022, his work for digital included the hosting of Solo Spotlights, a video series highlighting musicians of the COC Orchestra, as well as conducting for several of the company’s online presentations, including: In Winter, In Concert with Jane Archibald, and Bluebeard’s Castle. Debus most recently conducted the COC’s productions of Fidelio, Don Giovanni, and The Cunning Little Vixen, and will conduct Faust, La Reine-garçon, and Wozzeck in the company’s 2024/2025 season.

When he is not conducting at the COC, Debus is very active with international engagements that include appearances with the BBC Proms, the orchestras of Boston, Baltimore, Cleveland, Aspen, the National Arts Centre, Houston, and Toronto, at the Spoleto, Bregenz, and Tanglewood festivals, and at opera companies such as San Francisco, Berlin Staatsoper, Komische Oper Berlin, Oper Frankfurt, and Bayerische Staatsoper, among many others. He made his Metropolitan Opera debut in 2016 conducting Salome, and returned the following year to conduct Les contes d'Hoffmann.

In 2021, Debus co-founded the Biglake Festival in Prince Edward County, Ontario. The annual summer event showcases music that bridges the past and present, originating from various countries and influenced by a diverse range of cultures from around the world.

The COC Orchestra is generously sponsored by The Schulich Foundation and by W. Bruce C. Bailey