The Cunning Little Vixen: Relaxed Performance
Leoš JanáčekTUESDAY, FEBRUARY 13 at 7 p.m.
Four Seasons Centre for the Performing Arts
Performance time is approximately two hours, including one 25-minute intermission
*ONE NIGHT ONLY!
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Our Relaxed Performance has been designed for audience members looking for a more casual opera experience, such as members of the Disability Community, Neurodiverse or Autistic individuals, anyone who may experience anxiety, and/or feel they may want extra support to attend an opera.
During a Relaxed Performance, the opera itself is unchanged but adjustments are made within the theatre to create a more accessible environment. Sound levels are lowered, house lights are dimmed rather than switched off, and audience members are free to move in and out of their seats as needed.
Click here to view our non-Relaxed Performance The Cunning Little Vixen performances!
Leoš Janáček’s bittersweet fable about a clever fox cub trapped by a forest gamekeeper explores our relationship with the natural world.
Suggestions for Relaxed Performance Attendees
- If you expect that you might need to move in and out of the auditorium during the performance, we recommend booking an aisle seat.
- We set aside seats in an ASL viewing area for Deaf and Hard of Hearing audience members.
- Visitors attending with a service animal may reserve seats in areas designed to offer extra room.
- We have designated an area with more space where visitors can sit with no fellow audience members immediately beside them.
- Patrons remaining in their mobility device are asked to select particular seats to accommodate the devices.
- Arrangements can be made for patrons who require a support person for communication, mobility or medical needs.
CAST AND CREATIVE TEAMS
Conductor: Derek Bate
Director: Jamie Manton
Associate Director: Ruth Knight
Assistant Director: Anna Theodosakis
Set and Costume Designer: Tom Scutt
Lighting Designer: Lucy Carter
Movement Director: Jenny Ogilvie
Stage Manager: Stephanie Marrs
Assistant Stage Manager: Lesley Abarquez
Assistant Stage Manager: Meghan Speakman
Price Family Chorus Master: Sandra Horst
Fight and Intimacy Coordinator: Siobhan Richardson
Vixen (Sharp Ears): Karoline Podolak
Fox (Gold-Stripe): Carolyn Sproule
Forester: Joel Allison
Lapák, a dog: Alex Hetherington
More TBA
With the COC Orchestra and Chorus
A production from English National Opera
Johannes Debus is generously sponsored by George & Kathy Dembroski
Sandra Horst and the COC Chorus are generously underwritten by Tim & Frances Price
The COC Orchestra is generously sponsored, in part, by W. Bruce C. Bailey, in honour of Christie Darville, COC Deputy General Director, and Johannes Debus, COC Music Director, and, in part, by the Schulich Foundation
SYNOPSIS IN A MINUTE
The Cunning Little Vixen tells the tale of a clever vixen named Sharp Ears. Captured by a local Forester when she is young, she later manages to escape his clutches, but he is forever haunted by her memory.
FULL SYNOPSIS
ACT I
The Forester stops off on his way home and falls asleep. A Cricket and a Grasshopper appear, then a young Vixen approaches. Suddenly awoken by a Frog, the Forester sees the fox cub. He captures her and decides to take her home.
The Vixen has grown up in the Forester’s house, where life is hard: the Forester’s wife hates her, the dog Lapák makes disgusting advances and the children mistreat her. When the Vixen takes revenge on a child, the Forester’s wife demands that the Vixen be tied up. Alone in the yard, the Vixen dreams.
Reality returns at dawn. Horrified to witness the Hens’ submission to the desires of the male chauvinist Cock, the Vixen tries to incite a revolution, but in vain. So she fakes her own death, tricks the Cock and kills him. The Forester attempts to shoot the Vixen, but she slaughters the Hens and escapes.
ACT II
The Vixen looks for a home in the forest. Finding the Badger’s sett to her taste, she kicks him out and takes up residence.
The Forester, the Priest and the Schoolmaster meet at the inn. The Forester teases the Schoolmaster about his love life. The Schoolmaster responds with mocking references to the Vixen. The Priest inveighs against all women. When the Innkeeper raises the subject of the Vixen, the Forester storms off.
On the way back, the drunken Schoolmaster sees the Vixen, takes her to be Terynka, the woman he loves, and pours out his heart. The Priest arrives, and the sight of the Vixen evokes an unhappy love story from his youth. The last to turn up is the Forester, still in pursuit of the Vixen. Spotting her, he fires his gun, but she again escapes.
The Vixen meets a Fox: they fall in love and spend the night together. The following morning, the Vixen is shocked to discover she is pregnant. So the Fox takes her to the Woodpecker, who marries them. A wedding celebration ensues.
ACT III
The poacher Harašta, out hunting, meets the Forester, who grows angry when he hears of Harašta’s imminent marriage to Terynka. Discovering a dead rabbit, the Forester realises the Vixen is nearby and prepares a trap. But she, accompanied by her cubs, laughs at the foolish trick. Coming across the Vixen, Harašta chases her, and shoots her dead. The Forester stumbles across the body.
Back in the tavern, the Forester and the Schoolmaster talk to the Innkeeper’s wife about the Priest, who has moved to another parish. They also discuss Terynka, who will marry wearing a new fox-fur muff …
Born in Hukvaldy, Moravia on July 3, 1854;
died in Ostrava on August 12, 1928
Czech composer Leoš Janáček showed exceptional talent as a young boy. At the age of 11, he became a chorister at the prestigious Augustinian Monastery in Brno. Following his formal musical education, he studied the folk-music traditions of his homeland (an area of musical research that had hitherto been neglected), which greatly influenced his compositional style.
Stylistically, Janáček was a forward-looking composer, although he never abandoned the traditions in which his musical style evolved. The subjects of his operas were often influenced by the modern age, with works such as The Makropulos Case and The Excursions of Mr. Brouček inspired by the new literary genre of science-fiction. Similarly, his opera The Cunning Little Vixen, about the life of a fox, was also an operatic innovation.
As a composer of tragedy, Janáček excelled in two works: Katya Kabanová and Jenůfa. Both of these operas deal poignantly with the rigid social structures of village life, and the disastrous consequences that occur when the traditional rules are broken.
Today, Leoš Janáček is regarded as the foremost Czech composer of his era, and his works are performed around the world.
- Lindsay Barrett
- Virginia Hatfield
- Alexandra Lennox
- Eve Rachel McLeod
Mezzo-Sopranos
- Susan Black
- Sandra Boyes
- Erica Iris Huang
- Rachel Miller
Tenors
- Stephen Bell
- Taras Chmil
- Derrick Paul Miller
- David Walsh
Basses/Baritones
- Jesse Clark
- Bruno Cormier
- Jason Nedecky
- Gene Wu
-
Sung in Czech with English SURTITLESTM
CAST AND CREATIVE TEAMS
Conductor: Derek Bate
Director: Jamie Manton
Associate Director: Ruth Knight
Assistant Director: Anna Theodosakis
Set and Costume Designer: Tom Scutt
Lighting Designer: Lucy Carter
Movement Director: Jenny Ogilvie
Stage Manager: Stephanie Marrs
Assistant Stage Manager: Lesley Abarquez
Assistant Stage Manager: Meghan Speakman
Price Family Chorus Master: Sandra Horst
Fight and Intimacy Coordinator: Siobhan Richardson
Vixen (Sharp Ears): Karoline Podolak
Fox (Gold-Stripe): Carolyn Sproule
Forester: Joel Allison
Lapák, a dog: Alex Hetherington
More TBA
With the COC Orchestra and Chorus
A production from English National Opera
Johannes Debus is generously sponsored by George & Kathy Dembroski
Sandra Horst and the COC Chorus are generously underwritten by Tim & Frances Price
The COC Orchestra is generously sponsored, in part, by W. Bruce C. Bailey, in honour of Christie Darville, COC Deputy General Director, and Johannes Debus, COC Music Director, and, in part, by the Schulich Foundation -
SYNOPSIS IN A MINUTE
The Cunning Little Vixen tells the tale of a clever vixen named Sharp Ears. Captured by a local Forester when she is young, she later manages to escape his clutches, but he is forever haunted by her memory.
FULL SYNOPSIS
ACT I
The Forester stops off on his way home and falls asleep. A Cricket and a Grasshopper appear, then a young Vixen approaches. Suddenly awoken by a Frog, the Forester sees the fox cub. He captures her and decides to take her home.
The Vixen has grown up in the Forester’s house, where life is hard: the Forester’s wife hates her, the dog Lapák makes disgusting advances and the children mistreat her. When the Vixen takes revenge on a child, the Forester’s wife demands that the Vixen be tied up. Alone in the yard, the Vixen dreams.
Reality returns at dawn. Horrified to witness the Hens’ submission to the desires of the male chauvinist Cock, the Vixen tries to incite a revolution, but in vain. So she fakes her own death, tricks the Cock and kills him. The Forester attempts to shoot the Vixen, but she slaughters the Hens and escapes.
ACT II
The Vixen looks for a home in the forest. Finding the Badger’s sett to her taste, she kicks him out and takes up residence.
The Forester, the Priest and the Schoolmaster meet at the inn. The Forester teases the Schoolmaster about his love life. The Schoolmaster responds with mocking references to the Vixen. The Priest inveighs against all women. When the Innkeeper raises the subject of the Vixen, the Forester storms off.
On the way back, the drunken Schoolmaster sees the Vixen, takes her to be Terynka, the woman he loves, and pours out his heart. The Priest arrives, and the sight of the Vixen evokes an unhappy love story from his youth. The last to turn up is the Forester, still in pursuit of the Vixen. Spotting her, he fires his gun, but she again escapes.
The Vixen meets a Fox: they fall in love and spend the night together. The following morning, the Vixen is shocked to discover she is pregnant. So the Fox takes her to the Woodpecker, who marries them. A wedding celebration ensues.
ACT III
The poacher Harašta, out hunting, meets the Forester, who grows angry when he hears of Harašta’s imminent marriage to Terynka. Discovering a dead rabbit, the Forester realises the Vixen is nearby and prepares a trap. But she, accompanied by her cubs, laughs at the foolish trick. Coming across the Vixen, Harašta chases her, and shoots her dead. The Forester stumbles across the body.
Back in the tavern, the Forester and the Schoolmaster talk to the Innkeeper’s wife about the Priest, who has moved to another parish. They also discuss Terynka, who will marry wearing a new fox-fur muff … -
-
Leoš Janáček
Born in Hukvaldy, Moravia on July 3, 1854;
died in Ostrava on August 12, 1928
Czech composer Leoš Janáček showed exceptional talent as a young boy. At the age of 11, he became a chorister at the prestigious Augustinian Monastery in Brno. Following his formal musical education, he studied the folk-music traditions of his homeland (an area of musical research that had hitherto been neglected), which greatly influenced his compositional style.
Stylistically, Janáček was a forward-looking composer, although he never abandoned the traditions in which his musical style evolved. The subjects of his operas were often influenced by the modern age, with works such as The Makropulos Case and The Excursions of Mr. Brouček inspired by the new literary genre of science-fiction. Similarly, his opera The Cunning Little Vixen, about the life of a fox, was also an operatic innovation.
As a composer of tragedy, Janáček excelled in two works: Katya Kabanová and Jenůfa. Both of these operas deal poignantly with the rigid social structures of village life, and the disastrous consequences that occur when the traditional rules are broken.
Today, Leoš Janáček is regarded as the foremost Czech composer of his era, and his works are performed around the world. -
Sopranos
- Lindsay Barrett
- Virginia Hatfield
- Alexandra Lennox
- Eve Rachel McLeod
Mezzo-Sopranos
- Susan Black
- Sandra Boyes
- Erica Iris Huang
- Rachel Miller
Tenors
- Stephen Bell
- Taras Chmil
- Derrick Paul Miller
- David Walsh
Basses/Baritones- Jesse Clark
- Bruno Cormier
- Jason Nedecky
- Gene Wu
2023/2024 season creative: BT/A
