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Eugene Onegin

Eugene Onegin

Pyotr Ilyich Tchaikovsky

May 2 - 24, 2025 Four Seasons Centre for the Performing Arts
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Eugene Onegin

Four Seasons Centre for the Performing Arts

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Eugene Onegin

Four Seasons Centre for the Performing Arts

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Tchaikovsky’s Eugene Onegin is one of opera’s most romantic masterpieces, an aching meditation on happiness undone. Canadian director Robert Carsen’s stunningly simple staging enjoys an international reputation as “a piece of contemporary operatic history” (The Globe and Mail) and returns to the COC for the first time since 2018.

Speranza Scappucci conducts Tchaikovsky’s adored lyric opera, with soprano Lauren Fagan starring as Tatyana, who falls in love with the dashing Eugene Onegin at first sight.

An evening full of intimacy and tenderness, captivating acting, as well as beautiful and passionate singing

Opera Canada

Synopsis in a Minute

In a deeply emotional letter, the young Tatyana declares her love to the proud Onegin, who rejects her. After killing his friend Lensky in a duel, Onegin travels the world to try and escape his regret. When he meets Tatyana years later, he realizes he loves her, but it is too late. Tatyana is now married and even though she still loves Onegin, it is her turn to reject him.

Performance Information

  • Performance time is approximately two hours and 50 minutes, including one 25-minute intermission
  • Sung in Russian with English SURTITLES™
A portrait of Pyotr Ilyich Tchaikovsky

Composed By Pyotr Ilyich Tchaikovsky

A portrait of Pyotr Ilyich Tchaikovsky

Pyotr Ilyich Tchaikovsky

Born in Votkinsk, Russian Empire on May 7, 1840;
died in Saint Petersburg, Russian Empire on November 6, 1893

Peter Ilyich Tchaikovsky enjoyed tremendous fame during his lifetime as a composer of symphonic music and ballets. His operas have achieved a steadily growing popularity outside of Russia. The libretto for Eugene Onegin was largely put together by the composer himself, with help from his brother Modest (1850–1916) and others. The source of the libretto is the mock-epic poem of the same name by Pushkin (1799–1837), whose position in Russian literature can be compared only to that of Shakespeare in English. Pushkin’s body of work is marked by a wide range of tone and style, and his writings have been the source of many other Russian operas of note (such as Boris Godunov and Le Coq d’Or). Tchaikovsky specifically chose the most emotional and dramatic moments from Pushkin’s poem and called his work “lyric scenes,” emphasizing the episodic, rather than the strictly narrative, nature of his libretto.

A portrait of librettist Alexander Pushkin

Libretto by Alexander Pushkin

A portrait of librettist Alexander Pushkin

Alexander Pushkin

Born in Moscow, Russian Empire on June 6, 1799;
died in Saint Petersburg, Russian Empire on February 10, 1837

Alexander Sergeyevich Pushkin was born in 1799 in Moscow into a cultured but poor aristocratic family. On his father’s side, he was a descendant of an ancient noble family and on his mother’s, he was a great-great-grandson of Abraham Hannibal, who served under Peter the Great (and about whom Pushkin wrote in his tale: The Moor of Peter the Great). He was brought up by Russian nursemaids and French tutors and governesses, from whom he learned to speak and write French at a very early age. He learned Russian from household serfs and from his nanny. The influence of his studies of French and English literature, and in particular Voltaire, Shakespeare, and Byron, and his deep attachment to the Russian countryside and its legends and fairy tales are clearly felt in his literary output.

Pushkin’s first major work was Ruslan and Ludmilla (1820), a kind of fairy tale in verse based on Russian folk tales told to him by his grandmother (in French!). His most important works include Eugene Onegin, a novel in verse; the verse dramas Boris GodunovPoltavaThe Bronze HorsemanMozart and Salieri; the poem The Gypsies; and the prose works, The Captain’s Daughter, and The Queen of Spades.

Pushkin was killed in duel in St. Petersburg at the age of 38 defending the honour of his wife.

Cast

Andrii Kymach

Eugene Onegin
A portrait of Lauren Fagan

Lauren Fagan

Tatyana

Evan LeRoy Johnson

Lensky

Niamh O'Sullivan

Olga
A portrait of Dimitry Ivashchenko

Dimitry Ivashchenko

Gremin
A portrait of Krisztina Szabó

Krisztina Szabó

Madame Larina
A portrait of Michael Colvin

Michael Colvin

Monsieur Triquet

Korin Thomas-Smith

Captain

Duncan Stenhouse

Zaretsky

Northern Ireland-born Duncan Stenhouse is a Calgarian bass and composer who recently completed his Advanced Operatic Diploma at the Royal Academy of Music under the support of the Sybil Tutton Opera Award and Philip Hattey Prize. Stenhouse is also a proud alumnus of the Memorial School of Music in St. John’s, NL. While living in London, England for his studies, Stenhouse performed in various summer festivals including Longborough Festival Opera, Garsington Opera, Opera Holland Park, and Hurn Court Opera. During this time, he sang in operas by Britten, Dvorák, Mozart, Puccini, Rossini, Strauss, Stravinsky, and Verdi. He was named one of CBC’s “30 hot classical musicians under 30” in 2024 and won the Sarah Harrison Prize at the Hurn Court Opera Singer of the Year Competition. This season with the COC, he performs the role of High Priest of Baal in Nabucco, First Apprentice in Wozzeck, and Zaretsky in Eugene Onegin

Creative

A portrait of Speranza Scappucci

Speranza Scappucci

Conductor
A portrait of Robert Carsen

Robert Carsen

Original Director
A portrait of Peter McClintock

Peter McClintock

Revival Director
A portrait of Michael Levine

Michael Levine

Set and Costume Designer

With the COC Orchestra and Chorus

Production premiered by the Metropolitan Opera in New York City on March 13, 1997. All scenery, properties, and costumes constructed by the Metropolitan Opera Shops.

Speranza Scappucci is generously sponsored by The Tauba and Solomon Spiro Family Foundation

Sandra Horst and the COC Chorus are generously underwritten by Tim & Frances Price

The COC Orchestra is generously sponsored by The Schulich Foundation and by W. Bruce C. Bailey

Presented at

Four Seasons Centre for the Performing Arts