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The Barber of Seville Student Performance

The Barber of Seville Student Performance

Gioachino Rossini

Friday, February 20 at 11 a.m. Four Seasons Centre for the Performing Arts
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Rossini’s The Barber of Seville comes to life for students this February in a special Student Performance at the Four Seasons Centre for the Performing Arts!

This special presentation will feature the talented artists of the Canadian Opera Company’s Ensemble Studio. The opera has been thoughtfully trimmed to 90 minutes (plus intermission) to best suit student audiences and fit the school day.

The performance will be sung in Italian with English and French SURTITLES™ and is ideal for students in Grades 6–12.

Inquiry Form

For more information, please call Alfred Erickson, Patron Outreach Coordinator, at (416) 306-2356.

Queries may also be sent to groupsales@coc.ca.

A visually striking and pitch-perfect adaptation

Isabella Perrone, Broadway World

Synopsis in a Minute

Young Count Almaviva is in love with Rosina, a virtual prisoner in the home of her aged guardian, Bartolo, who is plotting to marry her himself. Almaviva hires the services of Seville’s favourite barber and schemer, the irrepressible Figaro, to help him out.

Performance Information

  • Performance time is approximately two hours, including one 25-minute intermission
  • Sung in Italian with English and French SURTITLES™

About this production

Director Joan Font’s colourful vision evokes all the whimsy and wit of the circus, with madcap costumes and outsized sets by designer Joan Guillén. Featuring progressively ridiculous plot twists, this “thrilling” (The Globe and Mail) production is an infectious comic opera full of show-stealing characters and unforgettable musical gems.


Frequently Asked Questions

Who is eligible to attend the student matinee performance?

School groups, homeschool groups, and community groups are all welcome. A minimum of five tickets per order is required. Please note that the number of adults in a group cannot exceed the number of students. The performance is ideal for Grades 6–12. Babes-in-arms are not permitted in the theatre.

How do we pick up our tickets?

Tickets will be held at the box office to be picked up by a designated group leader on the day of the performance.

When are payment and final numbers due?

A 25% deposit is required to confirm your booking. Final numbers and full payment are due by January 9, 2026.

Tickets are allocated on a first come, first served basis once payment is received.

While we understand group sizes may change in advance of the performance, all sales are final as of January 9, 2026.

Who can I discuss accessible accommodations with?

The Canadian Opera Company and Four Seasons Centre for the Performing Arts offer numerous features to assist patrons in all aspects of attendance. Please indicate how we can best support your group when you complete an inquiry form, and our Patron Outreach Coordinator will coordinate with you.

Composed By Gioachino Rossini

Gioachino Rossini

Born in Pesaro on February 29, 1792;
died in Paris on November 13, 1868

The son of musicians, he studied singing and harmony in Bologna and by the age of 21 had already had 10 of his operas performed.

The 1813 premiere of Tancredi in Venice established his reputation in the world of Italian opera for years to come. The Barber of Seville and Otello followed in 1816, with La Cenerentola and Armide following in swift succession. Settling in Paris in 1824, Rossini was appointed head of the Théâtre Italien, then First Composer to the King and General Inspector of singing in France. His final opera, Guillaume Tell, which appeared at the Opéra national de Paris in 1829, was a raging success.

From 1836 to 1848, he lived in Italy before settling permanently in France, where he continued to compose chamber works and occasional pieces. He died in Passy in 1868. 

Cast

Ben Wallace

Figaro

Angelo Moretti

Count Almaviva

Ariana Maubach

Rosina

Nick Murphy

Dr. Bartolo

Duncan Stenhouse

Don Basilio

Emma Pennell

Berta

Creative

A portrait of Sandra Horst

Sandra Horst

Conductor

Joan Guillén

Set & Costume Designer

Albert Faura

Lighting Designer

Xevi Dorca

Choreographer
A portrait of Anna Theodosakis

Anna Theodosakis

Director

Anna Theodosakis is a Dora Award-nominated stage director and choreographer based in Toronto. For the 2021/2022 season she directed The Magic Flute (Canadian Opera Company), Carmen (Saskatoon Opera), The Bells of Baddeck (Parks Canada), L’elisir d’amore (Western University), a workshop of The Limit of the Sun (Opera McGill), Love Songs by Ana Sokolović (University of Ottawa/Musique 3 Femmes) and choreographed The Tender Land (University of Toronto). Anna is a Dramatic Coach for the Canadian Opera Company’s Ensemble Studio and a COC Teaching Artist. She has been a sessional lecturer for the University of British Columbia and a guest lecturer with McGill University, University of Toronto, Dalhousie University, Wilfrid Laurier University, University of Lethbridge, the Glenn Gould School, the University of Ottawa, and the University of Manitoba. Anna is a RBC Future Launch Artist Mentor with the Association for Opera in Canada and a mentor for Pacific Opera Victoria’s Civic Engagement Quartet.

With the COC Orchestra

COC co-production with Houston Grand Opera, Opéra National de Bordeaux, and Opera Australia

Production originally made possible by The Catherine and Maxwell Meighen Foundation

The COC Orchestra is generously sponsored by The Schulich Foundation and by W. Bruce C. Bailey

This performance of The Barber of Seville is generously supported by Wendy J. Thompson

Presented at

Four Seasons Centre for the Performing Arts