Salome banner

Macbeth

Giuseppe Verdi
To

APRIL 28, 30, MAY 6, 12, 14, 17, AND 20, 2023


Four Seasons Centre for the Performing Arts

Performance time is approximately three hours, including one 25-minute intermission


Please note: 
you may encounter travel delays around the opera house due to ongoing construction of the Metrolinx Ontario line and/or other city-planned events. In the event that a performance is missed due to city-related closures or transit disruptions, ticket refunds will not be granted. For more on our ticket policies, click here


HOUSE PROGRAM


Subscribe now and save as part of a 2022/23 Subscription!


This brand-new production from Sir David McVicar is the must-see work of the season. 

Vaunting ambition, a thirst for power, and bone-chilling violence collide as one of Shakespeare’s greatest tragedies is given the operatic treatment by one of Giuseppe Verdi’s most thrilling scores. Internationally acclaimed conductor Speranza Scappucci returns to lead the COC Orchestra. 

Credits
Sung in Italian with English SURTITLESTM



CAST AND CREATIVE TEAMS


Conductor: Speranza Scappucci
Assistant Conductor: Derek Bate
Director: Sir David McVicar
Assistant Director: Andrew Adridge
Set Designer: John Macfarlane
Costume Designer: Moritz Junge
Associate Costume Designer: Isaac B. Turner
Lighting Designer: David Finn
Choreographer: Andrew George
Revival Choreographer: Julia Aplin
Fight Director: Nick Sandys
Intimacy Director: Siobhan Richardson
Price Family Chorus Master: Sandra Horst
Stage Manager: Jenifer Kowal
Surtitles Writer and Producer: John Sharpe

Macbeth: Quinn Kelsey
Lady Macbeth: Alexandrina Pendatchanska (April 28, 30, May 6, and 12), Tracy Cantin (May 14, 17, and 20)
Banquo: Önay Köse
Macduff: Matthew Cairns
Malcolm: Adam Luther
Lady-in-waiting: Tracy Cantin (April 28, 30, May 6, 12), Charlotte Siegel (May 14, 17, and 20)
Servant: Alex Halliday
A Doctor: Vartan Gabrielian
Murderer: Clarence Frazer
Fleance: Roland Piers
First Apparition: Giles Tomkins
Second Apparition: Charlotte Siegel
Third Apparition: Midori Marsh

With the COC Orchestra and Chorus

A New Canadian Opera Company production

Co-production with Lyric Opera of Chicago

Production Sponsor:  

Speranza Scappucci is generously sponsored by Kristine Vikmanis & Denton Creighton

Alexandrina Pendatchanska and Liudmyla Monastyrska are generously sponsored by an anonymous donor

Sandra Horst and the COC Chorus are generously underwritten by Tim & Frances Price

The COC Orchestra is generously sponsored, in part, by W. Bruce C. Bailey, in honour of Christie Darville, COC Deputy General Director, and Johannes Debus, COC Music Director, and, in part, by The Schulich Foundation

The Story

SYNOPSIS IN A MINUTE

Spurred on by the witches’ prophecies and an ambitious wife, Macbeth removes all in his path as he reaches for the heights of power. He finds only a hollow victory and death.


FULL SYNOPSIS


ACT I

King Duncan’s generals, Macbeth and Banquo, encounter witches who prophesize that Macbeth will be made Thane of Cawdor and King of Scotland, while Banquo will be the father of kings. Moments after the witches have vanished, messengers from Duncan arrive and proclaim that Macbeth has been named Thane of Cawdor. The generals are mystified at the swift fulfillment of the first part of the prophecy. After the men have departed, the witches agree to reassemble at the first storm to fulfill the second prophecy and to deliver an oracle to Macbeth, who will, they know, consult them again.

Lady Macbeth reads a letter from her husband describing the eerie events. She wishes for her husband’s swift return so that she may aid him in ascending to the throne. A servant informs Lady Macbeth that the King, accompanied by Macbeth, will arrive that night. She then invokes the spirits of darkness to help her accomplish Duncan’s murder. Macbeth joins his wife, and she reveals her plan which must be carried out before the King’s departure in the morning. Alone, Macbeth contemplates the deed that lies before him. With a bloody dagger in his hand, he encounters Lady Macbeth and tells her of Duncan’s death. She urges him to smear the sleeping guards with blood so they will be accused of the murder. He refuses, and she takes the dagger and fulfills the task herself. Macduff and Banquo come to awaken the king to continue his journey. When the murder is discovered, Macbeth and his wife feign horror as they join Duncan’s followers in their cries for vengeance.

ACT II

Malcolm, Duncan’s son, has fled to England, and his flight confirms the court’s suspicion that he is guilty of his father’s death. This leaves the throne vacant for Macbeth. He recalls the prophecy that Banquo’s sons shall be kings and confides in Lady Macbeth his plan to murder Banquo and his only son. When Macbeth has gone, Lady Macbeth easily reconciles herself for the necessity of more bloodshed and anticipates the thrill of power when all threats to Macbeth’s position have been removed.

Accompanied by his son during the evening, Banquo is filled with foreboding. He is killed by Macbeth’s assassins, but his son escapes.

Lady Macbeth and her husband greet their guests at a banquet. One of the assassins privately reports to Macbeth the outcome of their mission. Macbeth is about to take his place at the table when Banquo’s ghost appears – to the guilty man alone. Macbeth’s horror amazes his guests and casts a pall on the festivities. Lady Macbeth vainly attempts to restore a light-hearted mood.

INTERMISSION

ACT III

Macbeth forces the witches to produce apparitions that pronounce the triple oracle: "Beware Macduff;” “None of woman born shall harm Macbeth;” “Macbeth will never be vanquished till Birnam Wood moves against him.” Lady Macbeth joins Macbeth, and together they plot to destroy their enemies.

ACT IV

Scottish refugees lament the sad fate of their country since Duncan’s death. Macduff mourns his wife and children, murdered by Macbeth’s assassins. Malcolm arrives with English soldiers as reinforcements to march against Macbeth. He orders the soldiers to cut boughs from the trees of nearby Birnam Wood to conceal their numbers. The army sets out.

A doctor and lady-in-waiting keep a vigil to see if their queen, whose reason has been affected by the recent bloody events, will again walk in her sleep. She soon does; in her mind, she relives the crimes she has committed. 

Macbeth is fearless at the prospect of battling his enemies. He regrets only that his chosen course of action has deprived him of the honor, respect, and love that might otherwise have brightened his declining years. His soldiers enter to inform him that Birnam Wood is moving toward the church. He meets death at the hands of Macduff, who was torn prematurely from a dying mother and hence does not disprove the oracle that “none of woman born shall harm Macbeth.” The victorious army hails Malcolm as king.

WATCH
Pre-performance Chat | Verdi's Macbeth


Meet the Cast | Verdi's Macbeth

  • Sung in Italian with English SURTITLESTM


    CAST AND CREATIVE TEAMS


    Conductor: Speranza Scappucci
    Assistant Conductor: Derek Bate
    Director: Sir David McVicar
    Assistant Director: Andrew Adridge
    Set Designer: John Macfarlane
    Costume Designer: Moritz Junge
    Associate Costume Designer: Isaac B. Turner
    Lighting Designer: David Finn
    Choreographer: Andrew George
    Revival Choreographer: Julia Aplin
    Fight Director: Nick Sandys
    Intimacy Director: Siobhan Richardson
    Price Family Chorus Master: Sandra Horst
    Stage Manager: Jenifer Kowal
    Surtitles Writer and Producer: John Sharpe

    Macbeth: Quinn Kelsey
    Lady Macbeth: Alexandrina Pendatchanska (April 28, 30, May 6, and 12), Tracy Cantin (May 14, 17, and 20)
    Banquo: Önay Köse
    Macduff: Matthew Cairns
    Malcolm: Adam Luther
    Lady-in-waiting: Tracy Cantin (April 28, 30, May 6, 12), Charlotte Siegel (May 14, 17, and 20)
    Servant: Alex Halliday
    A Doctor: Vartan Gabrielian
    Murderer: Clarence Frazer
    Fleance: Roland Piers
    First Apparition: Giles Tomkins
    Second Apparition: Charlotte Siegel
    Third Apparition: Midori Marsh

    With the COC Orchestra and Chorus

    A New Canadian Opera Company production

    Co-production with Lyric Opera of Chicago

    Production Sponsor:  

    Speranza Scappucci is generously sponsored by Kristine Vikmanis & Denton Creighton

    Alexandrina Pendatchanska and Liudmyla Monastyrska are generously sponsored by an anonymous donor

    Sandra Horst and the COC Chorus are generously underwritten by Tim & Frances Price

    The COC Orchestra is generously sponsored, in part, by W. Bruce C. Bailey, in honour of Christie Darville, COC Deputy General Director, and Johannes Debus, COC Music Director, and, in part, by The Schulich Foundation

  • SYNOPSIS IN A MINUTE

    Spurred on by the witches’ prophecies and an ambitious wife, Macbeth removes all in his path as he reaches for the heights of power. He finds only a hollow victory and death.


    FULL SYNOPSIS


    ACT I

    King Duncan’s generals, Macbeth and Banquo, encounter witches who prophesize that Macbeth will be made Thane of Cawdor and King of Scotland, while Banquo will be the father of kings. Moments after the witches have vanished, messengers from Duncan arrive and proclaim that Macbeth has been named Thane of Cawdor. The generals are mystified at the swift fulfillment of the first part of the prophecy. After the men have departed, the witches agree to reassemble at the first storm to fulfill the second prophecy and to deliver an oracle to Macbeth, who will, they know, consult them again.

    Lady Macbeth reads a letter from her husband describing the eerie events. She wishes for her husband’s swift return so that she may aid him in ascending to the throne. A servant informs Lady Macbeth that the King, accompanied by Macbeth, will arrive that night. She then invokes the spirits of darkness to help her accomplish Duncan’s murder. Macbeth joins his wife, and she reveals her plan which must be carried out before the King’s departure in the morning. Alone, Macbeth contemplates the deed that lies before him. With a bloody dagger in his hand, he encounters Lady Macbeth and tells her of Duncan’s death. She urges him to smear the sleeping guards with blood so they will be accused of the murder. He refuses, and she takes the dagger and fulfills the task herself. Macduff and Banquo come to awaken the king to continue his journey. When the murder is discovered, Macbeth and his wife feign horror as they join Duncan’s followers in their cries for vengeance.

    ACT II

    Malcolm, Duncan’s son, has fled to England, and his flight confirms the court’s suspicion that he is guilty of his father’s death. This leaves the throne vacant for Macbeth. He recalls the prophecy that Banquo’s sons shall be kings and confides in Lady Macbeth his plan to murder Banquo and his only son. When Macbeth has gone, Lady Macbeth easily reconciles herself for the necessity of more bloodshed and anticipates the thrill of power when all threats to Macbeth’s position have been removed.

    Accompanied by his son during the evening, Banquo is filled with foreboding. He is killed by Macbeth’s assassins, but his son escapes.

    Lady Macbeth and her husband greet their guests at a banquet. One of the assassins privately reports to Macbeth the outcome of their mission. Macbeth is about to take his place at the table when Banquo’s ghost appears – to the guilty man alone. Macbeth’s horror amazes his guests and casts a pall on the festivities. Lady Macbeth vainly attempts to restore a light-hearted mood.

    INTERMISSION

    ACT III

    Macbeth forces the witches to produce apparitions that pronounce the triple oracle: "Beware Macduff;” “None of woman born shall harm Macbeth;” “Macbeth will never be vanquished till Birnam Wood moves against him.” Lady Macbeth joins Macbeth, and together they plot to destroy their enemies.

    ACT IV

    Scottish refugees lament the sad fate of their country since Duncan’s death. Macduff mourns his wife and children, murdered by Macbeth’s assassins. Malcolm arrives with English soldiers as reinforcements to march against Macbeth. He orders the soldiers to cut boughs from the trees of nearby Birnam Wood to conceal their numbers. The army sets out.

    A doctor and lady-in-waiting keep a vigil to see if their queen, whose reason has been affected by the recent bloody events, will again walk in her sleep. She soon does; in her mind, she relives the crimes she has committed. 

    Macbeth is fearless at the prospect of battling his enemies. He regrets only that his chosen course of action has deprived him of the honor, respect, and love that might otherwise have brightened his declining years. His soldiers enter to inform him that Birnam Wood is moving toward the church. He meets death at the hands of Macduff, who was torn prematurely from a dying mother and hence does not disprove the oracle that “none of woman born shall harm Macbeth.” The victorious army hails Malcolm as king.

  • COC NEWS: 10 THINGS TO KNOW ABOUT MACBETH

    COC NEWS: SHAKESPEARE ON THE COC STAGE

    COC NEWS: THE MUSIC OF MACBETH

  • Pre-performance Chat | Verdi's Macbeth


    Meet the Cast | Verdi's Macbeth


2022/2023 season creative: BT/A

Four Seasons Centre for the Performing Arts capacity: 2,070
Ticket prices do not include service fees, $9 CAD

Macbeth

Giuseppe Verdi
To

APRIL 28, 30, MAY 6, 12, 14, 17, AND 20, 2023


Four Seasons Centre for the Performing Arts

Performance time is approximately three hours, including one 25-minute intermission


Please note: 
you may encounter travel delays around the opera house due to ongoing construction of the Metrolinx Ontario line and/or other city-planned events. In the event that a performance is missed due to city-related closures or transit disruptions, ticket refunds will not be granted. For more on our ticket policies, click here


HOUSE PROGRAM


Subscribe now and save as part of a 2022/23 Subscription!


This brand-new production from Sir David McVicar is the must-see work of the season. 

Vaunting ambition, a thirst for power, and bone-chilling violence collide as one of Shakespeare’s greatest tragedies is given the operatic treatment by one of Giuseppe Verdi’s most thrilling scores. Internationally acclaimed conductor Speranza Scappucci returns to lead the COC Orchestra. 

SIGN UP FOR EMAIL NEWSLETTERS

Phone: 416-363-8231

Toll Free: 1-800-250-4653

Contact Page

Facebook Twitter Instagram Youtube